NU1XA Owner's Manual

About this manual (two types of files):
- A text file named "00_Model Name.txt":
  This file is the text of the entire manual.
- Other text files, which have been named "Number_Chapter Name.txt" (e.g., "01_Introduction.txt", "02_Contents.txt" etc.):
  The manuals are divided into separate files for every chapter.

Before using this instrument, be sure to read “PRECAUTIONS” on pages 4–5.

NOTICE
To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.

Handling
Do not connect this product to a public Wi-Fi and/or Internet service directly. Only connect this product to the Internet through a router with strong password protections. Consult your router manufacturer for information on optimum security practices. 
Do not use this product in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, this product or the other device may generate noise. 
When you use the product along with an app on your smart device, such as a smartphone or tablet, we recommend that you enable “Airplane Mode” on the device to avoid noise caused by communication. When turning on airplane mode, Wi-Fi or Bluetooth® settings may be turned off. Make sure that the setting is turned on before use.
Do not expose the product to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
Do not place vinyl, plastic or rubber objects on the product, since this might discolor the product.
Bumping the surface of the product with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.

Maintenance
When cleaning the product, use a soft and dry (or slightly damp) cloth. Do not use paint thinners, solvents, alcohol, cleaning fluids, or chemical-impregnated wiping cloths.
Gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument's finish.
During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the product. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth.

Saving data
Some of the data of this instrument (page 92) and the Song data saved to the internal memory of this instrument (page 46) are retained when the power is turned off. However, the saved data may be lost due to some failure, an operation mistake, etc. Save your important data onto USB flash drive or an external device such as a computer (pages 60, 92). Before using a USB flash drive, make sure to refer to page 64.
To protect against data loss through USB flash drive damage, we recommend that you save your important data onto spare USB flash drive or an external device such as a computer as backup data.
Information

About copyrights
The copyright of the “content”*1 installed in this product belongs to Yamaha Corporation or its copyright holder. Except as permitted by copyright laws and other relevant laws, such as copying for personal use, it is prohibited to “reproduce or divert”*2 without the permission of the copyright holder. When using the content, consult with a copyright expert. 
If you create music or perform with the contents through the original use of the product, and then record and distribute them, the permission of Yamaha Corporation is not required regardless of whether the distribution method is paid or free of charge.
*1:  The word “content” includes a computer program, audio data, Accompaniment Style data, MIDI data, waveform data, voice recording data, music score, and score data, etc.
*2:  The phrase “reproduce or divert” includes taking out the content itself in this product, or recording and distributing it without changes in a similar manner.

About functions/data bundled with the product
Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.
The bitmap fonts used in this product have been provided by and are the property of Ricoh Co., Ltd.

About this manual
The illustrations and LCD screens as shown in this manual are for instructional purposes only.
Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.
Wi-Fi is a registered trademark of Wi-Fi Alliance®.
The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Yamaha Corporation is under license. 
The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Tuning
Unlike an acoustic piano, this instrument does not need to be tuned by an expert (although the pitch can be user-adjusted to match other instruments). 
However, since the keyboard mechanism of this instrument is the same as that of an actual piano, the mechanism may change over years of use. If this occurs or causes problems in performance, contact your Yamaha dealer. 


Transporting/Installing
If you move to another location, transport the instrument horizontally. Do not subject the instrument to excessive vibration or shock. 

CAUTION
When moving the instrument, always hold the bottom of the keyboard unit and the handgrips of the rear side. Be sure not to hold the headphone jack box. Improper handling can result in damage to the instrument or personal injury.

NOTICE
When moving the instrument, rotate the adjuster until it separates from the floor surface. Failure to do so may damage the floor surface.

Place the instrument away from the wall by at least 10 cm to optimize and enhance the sound effect. If you find the instrument shaky or unstable after installing, insert the included felt strips. For details, refer to the instructions supplied with the felt strips. 


Contents

PRECAUTIONS	4
NOTICE	6
Information	6
Transporting/Installing	7
About the Manuals	9
Supplied with the instrument	9
Available on the website	9
Included Accessories	9
Features	10

Panel Controls and Terminals	12
Overview	12
Control Panel	13

Playing the Keyboard	14
Opening/Closing the Fallboard and the Music Rest	14
Turning the Power On/Off	15
Adjusting the Master Volume	17
Using Headphones	17
Using the Pedals	18

Basic Operations	20

Enjoying the Piano Performance	22
Selecting two Grand Piano Voices from the panel directly	22
Customizing the Sound and the Touch Sensitivity of Piano Voices (Piano Room)	23

Playing Various Musical Instrument Sounds (Voices)	26
Selecting Voices	26
Listening to the Voice Demos	28
Enhancing and Customizing the Sound	29
Playing Duo	32
Using the Metronome	34

Playing Back Songs	36
Song Playback	37
Playing a One-hand Part — Part Cancel Function (MIDI Songs)	40
Playing Back a Song Repeatedly	41
Adjusting the Volume Balance	44
Useful Playback Functions	45

Recording Your Performance	46
Recording Methods	46
Quick MIDI Recording	47
MIDI Recording — Independent Tracks	49
MIDI Recording to the USB Flash Drive	51
Audio Recording to the USB Flash Drive	52
Other Recording Techniques	53

Handling Song Files	57
Song Types and File Operation Limitations	57
Basic Song File Operation	58
Deleting Song Files — Delete	59
Copying Song Files — Copy	60
Moving Song Files — Move	60
Converting a MIDI Song to an Audio Song during Playback — MIDI to Audio	61
Renaming Song Files — Rename	61

Connecting to Other Devices	62
Connectors	62
Connecting to an Audio Player ([AUX IN] jack)	63
Using an External Speaker System for Playback (AUX OUT [L/L+R]/[R] jacks)	63
Connecting USB Devices ([USB TO DEVICE] Terminal)	64
Connecting External MIDI Devices (MIDI Terminals)	65
Connecting to a Computer	65
Connecting to a Smart Device	67
Using the Smart Device App “Smart Pianist”	70

Detailed Settings (Menu Display)	76
Common Operations in the Menu Displays	76
Voice Menu	77
Song Menu	81
Metronome Menu	84
Recording Menu	84
System Menu	85

Appendix	94
Voice List	94
Song List	97
Message List	98
Troubleshooting	100
Specifications	102
Index	104


Thank you for purchasing this Yamaha AvantGrand!
This instrument is a hybrid piano that combines Yamaha know-how accumulated over many years of making acoustic pianos with innovative digital technology.
In order to make the most of the performance potential and features of the instrument, please read the manuals thoroughly, and keep them in a handy place for later reference.


About the Manuals
This instrument has the following manuals.

Supplied with the instrument

Owner’s Manual (this book)
Explains the functions of the instrument and how to use it.

Available on the website

Smart Pianist User Guide
Explains how to connect a smart device to use the smart device app “Smart Pianist” (page 70) with linking this instrument.

Computer-related Operations
Explains how to connect this instrument to a computer and how to send and receive data.

MIDI Reference
Contains the MIDI-related information.

To obtain these manuals, access the Yamaha website below: 

Yamaha Downloads 
https://download.yamaha.com/

Enter the model name for searching the desired manuals.


Included Accessories
Owner’s Manual (this book) 	×1
“50 Classical Music Masterpieces” (Music Book)	×1
Online Member Product Registration	×1
Felt key cover 	×1
AC adaptor*	×1
Power cord*	×1
Headphone hanger	×1
See page 17 for installation instructions.
Attachment screws for headphone hanger	×2
Felt strip set 	×1
To be used if the main unit is wobbly or unstable. For details, refer to the instructions supplied with the felt strips.
Bench*	×1

* May not be included depending on your area. Check with your Yamaha dealer.


Smart device application –“Smart Pianist” (page 70)
The Smart Pianist app not only gives you convenient and intuitive operation of the built-in functions, such as Voice selection and metronome control from your smart device, but also lets you view the sheet music of the built-in Songs and Songs you’ve recorded on the screen.
https://www.yamaha.com/2/apps/

For details on how to use the app, refer to the “Smart Pianist User Guide” on the website.


Features
The AvantGrand NU1XA is the culmination of over 100 years of piano-making experience combined the latest technology. Enjoy the uniquely satisfying experience of playing an acoustic piano along with advanced digital features to your heart’s content.

Full-scale piano performance

Dedicated upright piano action for authentic playing comfort
The AvantGrand NU1XA is equipped with a special upright piano action identical to that of an acoustic piano, where the action is triggered when the keys are played and the hammers move. This allows you to enjoy a wide range of playing styles and expressive techniques, from delicate to powerful, as if you were playing an actual acoustic piano.

Two world-renowned concert grand pianos	 page 22
All models feature piano sounds created with samples of the Yamaha CFX flagship concert grand piano and the famed Vienna-made Bösendorfer grand piano. The sound of the Yamaha CFX is powerful, sparkling and with a rich bass resonance. On the other hand, the Bösendorfer sound is soft and deep in the mid to bass range and beautiful for pianissimo parts. You can select the one that best matches the music you want to play.
* Bösendorfer is a subsidiary company of Yamaha.

Piano Room feature for adjusting touch and resonance	 page 23
From the Piano Room displays, you can adjust various parameters such as string resonance and touch response. You can also listen to the demo for VRM, which reproduces luxurious string and soundboard resonance, and the demo for Grand Expression Modeling, which recreates the subtle changes in the sound that respond to your touch.

VRM effect for reproducing the distinctive reverberation of a grand piano
The VRM function on all models simulates the luscious resonance effect on acoustic pianos—where the sound of one string causes sympathetic vibration in other strings and the soundboard. You can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.

Grand Expression Modeling for superbly expressive sound
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a key to when you release it. The Grand Expression Modeling technology recreates these subtle changes in the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to produce superbly expressive sound.

Realistic feeling of being immersed in the sound
—even when using headphones	 page 18
When headphones are connected, the sounds of the CFX and Bösendorfer automatically switch to binaural sampling sound—which gives the impression of being immersed in the sound, as if it was actually emanating from the piano. When other piano Voices are selected, the Stereophonic Optimizer effect reproduces a natural sound distance.


Convenient performance functions

Preset Songs for effective practicing	 page 36
Also built into this instrument are 50 classical music masterpieces, plus 303 lesson Songs for mastering the piano. You can simply enjoy listening to these built-in Songs, or use them for separate right-hand/left-hand practicing.* The 303 lesson Songs consist of practice pieces taken from various standard piano instruction manuals, including “The Virtuoso Pianist.”
*The part on/off function is available only for MIDI songs that have both right- and left-hand parts.

Two recording methods	 page 46
The instrument lets you save your performance to internal memory or a commercially available USB flash drive. You can record your performance using one of two methods, MIDI or Audio recording, according to your needs. MIDI recording is ideal for making independent tracks—for example, recording a right-hand part to Track 1 first, and then a left-hand part to Track 2—allowing you to create pieces that would be difficult to play live with both hands together. Audio recording on the other hand, saves recorded data in stereo, CD-quality WAV format to a USB flash drive, for storing to computer and playing on portable music players.

Connecting to a Smart Device	 page 67
By connecting this instrument to a smart device such as smart phone or tablet, you can enjoy compatible smart device apps. In addition, you can input the audio from a Bluetooth-equipped device such as a smart device to this instrument* and hear it through the built-in speakers of the instrument.
* The instrument is equipped with Bluetooth functionality. However, the country where the product was purchased may not support Bluetooth. See page 67 for details.


Fortepiano Voices—authentic classical period piano sounds 
All models feature authentic sounds created with samples of actual fortepianos—pianos which were made in the era of Mozart, Beethoven and Chopin. Enjoy performing with the actual sounds used in the era that classical music masterpieces were composed.
Refer to page 26 for selecting Voices.
*The fortepiano shown in the picture is from the collection of at the Hamamatsu Museum of Musical Instruments.


Panel Controls and Terminals

Overview
(Figure)
Music rest (page 14)
Fallboard (page 14)

Control panel (page 13)
1 [Power sign] (Standby/On) switch

Terminal panel (at the bottom right of the keyboard) (page 62)

Terminal panel (at the bottom left of the keyboard)
2 [MASTER VOLUME] control
[USB TO DEVICE] terminal (page 62)
[PHONES] jacks (page 17)

Headphone hanger (page 17)

Pedals (page 18)
Adjuster (page 18)

<Rear surface>
DC IN jack (page 15)


1	Standby/On switch (page 15)
For turning the power on or setting it to standby.

2	[MASTER VOLUME] control (page 17)
For adjusting the overall volume.


Control Panel
The buttons of the control panel are illuminated by backlight when the power is turned on (page 15). Although the backlight automatically turns off after a while (page 89), you can turn it on by simply touching the control panel.

(Figure)

3	[Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons, display (page 20)
Use the buttons to select an item or set a value in the display. Note that touching the display cannot be used to perform any operations.

4	[Triple lines menu sign] (Menu) button (page 76)
Pressing this button alternates the displays among the menus: “Voice,” “Song,” “Metronome/Rhythm,” “Recording” and “System”—from which you can make detailed settings for the related functions. 

5	[Exit sign] (Exit) button (page 21)
Pressing this button exits from the current display, or returns to the Voice or Song display.

6	[Bluetooth B logo mark] (Bluetooth) button (page 68)
Used for connecting to a Bluetooth-equipped device such as a smart device.

Bluetooth capability
Depending on the country in which you purchased the product, the instrument may not have Bluetooth capability. If the Bluetooth logo is shown or printed on the control panel, this means that the product is equipped with Bluetooth functionality.

7	[CFX GRAND] button (page 22)
For selecting the “CFX Grand” Voice.

8	[BÖSENDORFER] button (page 22)
For selecting the “Bösendorfer” Voice.

9	[VOICE] button (page 26)
Calls up the Voice group list for selecting the sound to play on the keyboard.

10	[REVERB] button (page 29)
Calls up the Reverb type list for selecting a Reverb type to add reverberation to the sound.

11	[PIANO ROOM] button (page 23)
Calls up the Piano Room display where you can select an optimum piano sound and adjust the touch response.

12	[SONG/DEMO] button (page 37)
Calls up the Song list for selecting a Preset Song or recorded performance to play back or edit.

13	[REC] button (page 46)
For recording your keyboard performance.

14	[PLAY/PAUSE] button (page 37)
For alternately playing back and pausing the Preset Songs or your recorded performance.

15	[METRONOME] button (page 34)
For using the metronome function.

16	[TEMPO] button (page 34)
Sets the metronome and Song tempo.

17	[BEAT] button (page 35)
Sets the time signature of the metronome.


Playing the Keyboard

Opening/Closing the Fallboard and the Music Rest

To raise the fallboard and the music rest 
(Figure)
CAUTION
Be careful to avoid catching your fingers between the fallboard and the instrument.

1	With both hands, hold the hand grip, then lift and open the fallboard.

2	Fold down the top of the fallboard.

3	Open the music rest.


To lower the fallboard and the music rest 
(Figure)
CAUTION
Be careful to avoid catching your fingers between the fallboard and the instrument.

1	Close the music rest.
If you omit this operation and close the fallboard, the music rest will hit the keyboard and may result in damage.

2	With both hands, open the folded top of the fallboard, and close it gently.
The fall board is equipped with the special SOFT-CLOSE™ mechanism which closes the cover slowly.

CAUTION
• Hold the fallboard with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the fallboard and the unit.
• Do not apply excessive force when closing the fallboard. Applying excessive force to the fallboard when closing it could damage the SOFT-CLOSE™ mechanism, and possibly result in injury to your hands and fingers caught under the closing fallboard.
• Do not place anything (such as metal objects or pieces of paper) on top of the fallboard. Small objects placed on the fallboard may fall inside the unit when the fallboard is opened and may be nearly impossible to remove. Once inside, they could cause electric shock, short circuit, fire or other serious damage to the instrument.


Turning the Power On/Off

1	Connect the power cord in the order shown in the illustration.
The [DC IN] terminal is located on the lower rear side of the main unit.
(Figure)
1-1 Power cord, AC adaptor
1-2 DC IN jack (page 12), DC plug, Rear surface
1-3 AC plug, AC outlet
The shape of the plug and outlet differ depending on your locale.

WARNING
• Use only the supplied or the specified AC adaptor (page 103)/power cord. Do not use the AC adaptor/power cord for other devices. 
• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.

NOTE
When disconnecting the power cord/AC adaptor, first turn off the power, then follow this procedure in reverse order.

2	Turn down the [MASTER VOLUME] control to “MIN.”
(Figure)
Power indicator
Standby/On switch

3	Press the Standby/On switch on the right of the keyboard to turn the power on.
The display located at the left of the keyboard and the power indicator at the right of the [MASTER VOLUME] control both light up.

NOTICE
Do not press any keys, buttons or pedals until the instrument has completely started up (roughly five seconds after turning on the switch). Doing so may cause some keys to not play normally or some other malfunction to occur.

4	Play the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control located at the left of the panel.
(Figure)
The level decreases.
The level increases.

5	Turn off the power by pressing the Standby/On switch for about a second.
The power gradually turns off.

CAUTION
Even after the power switch is turned off, electricity is still flowing to the instrument at the minimum level. Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.


Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns the power off if the instrument is not operated for a specified period of time. The amount of time that elapses before the power is automatically turned off is approximately 15 minutes by default; however, you can change the setting (page 88).

NOTICE
• Any data which are not saved will be lost if the power automatically turns off. Make sure to save your data before this happens.
• Depending on the instrument status, the power may not turn off automatically, even after the specified period of time elapses. Always turn off the power manually when the instrument is not in use.

Disabling Auto Power Off (simple method) 
Turn the power on while holding down the lowest key on the keyboard. An “Auto power off disabled” message appears briefly and Auto Power Off is disabled.
(Figure)
The lowest key (A−1)


Adjusting the Master Volume
To adjust the volume level by using the [MASTER VOLUME] control located at the front left, just below the keyboard while playing the keyboard. 
(Figure)
The level decreases.
The level increases.

CAUTION
Do not use this instrument at a high volume level for a long period of time, or your hearing may be damaged.

Intelligent Acoustic Control (IAC)
IAC is a function which automatically adjusts and controls the sound quality according to the overall volume of the instrument. IAC Control is effective only on the sound output of the instrument speakers or headphones. Even when the volume is low, this lets you hear both low sounds and high sounds clearly. Especially when using the headphones, the burden on the ears is reduced without raising the overall volume excessively.

You can set the IAC setting On or Off and its depth. For details, refer to “IAC” and “IAC depth” on page 86. The default setting for this function is “On.”


Using Headphones
Connect a pair of headphones to one of the [PHONES] jacks. Since this instrument is equipped with two [PHONES] jacks, you can connect two pairs of headphones. If you are using only one pair, insert the plug into either of these jacks.
(Figure)
Conversion plug (Standard stereo phone plug)
Stereo mini plug
Headphone hander installation

CAUTION
Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss.

NOTE
• By default, when the headphones are plugged into either of the [PHONES] jacks, the internal speaker system is automatically shut off. If no sound is output from the speakers even though the headphones are disconnected, make sure that any conversion plugs are also disconnected from the [PHONES] jacks. 
• You can also hear sound through the speakers with the headphones plugged in. For details, refer to “Speaker” on page 88.

If you attach the included headphone hanger, you can hang the headphones on the main unit. Attach with two screws as shown.

NOTICE
Do not hang anything other than the headphones on the hanger. Otherwise, the instrument or the hanger may be damaged.

Reproducing the Natural Sensation of Sound Distance—Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy exceptionally realistic, natural piano sound, even when listening on headphones.

Binaural Sampling
Binaural sampling is a method that uses two special microphones set at the ear position of a performer and records the sound from a piano as it is. Listening to the sound with this effect through headphones gives the impression of being immersed in the sound, as if it was actually emanating from the piano. When “CFX Grand” or “Bösendorfer” (page 22) is selected, connecting the headphones automatically enables binaural sampling sound.

Sampling
A technology which records the sounds of an acoustic instrument then stores them to the tone generator to be played based on information received from the keyboard.

Stereophonic Optimizer
The Stereophonic Optimizer is an effect which reproduces natural sound distance like the sound of binaural sampling even though you hear it on headphones. When any other Voice in the Piano group besides “CFX Grand” or “Bösendorfer” is selected, connecting the headphones automatically enables the Stereophonic Optimizer.
NOTE
Voices in the Piano group are those contained in the “Piano” category in the Voice List (page 94). For details about selecting Voices, refer to page 26.

This function is turned on by default. Note that when the “Speaker” setting (page 88) is “On,” this function will always be disabled. Since these sounds are optimized for listening with headphones, we recommend that you set this function to “Off” in the following situations.
• Playing the piano sound of this instrument with an external powered speaker system, while monitoring the sound output from this instrument on connected headphones.
• Making an audio recording (page 52) while using headphones, and then playing that recorded audio Song through speakers of this instrument. (Make sure to turn off these functions before audio recording.)
For details on setting this On or Off, refer to “Binaural” on page 86.

NOTE
Before connecting an external powered speaker system, be sure to read “Connecting to Other Devices” (page 62).


Using the Pedals
This instrument is equipped with three pedals. Before using, turn the adjuster to make sure the pedals fit snugly to the floor and do not wobble when the pedals are depressed. 
(Figure)
Soft pedal
Sostenuto pedal
Damper pedal
Adjuster
Contacts with the floor
Separates from the floor

NOTICE
When moving the instrument, rotate the adjuster to keep it off the floor. Failing to do so may cause damage to the floor.

NOTE
The pedals are protected with vinyl covers when shipped from the factory. Remove the covers from the pedals before using to ensure optimum use of the pedal effects.

Damper pedal (right pedal)
When you press the damper pedal, the notes you play have a longer sustain. When you select a Voice in the Piano group, pressing the damper pedal activates the VRM (page 25) to accurately recreate the unique resonance of an acoustic grand piano’s soundboard and strings. 
(Score)
When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.

GP Response Damper
The damper pedal of this instrument has been designed to provide enhanced tactile response and, when pressed, is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience the half-pedal point and more easily apply the half-pedal effect than other pedals. 

NOTE
• Voices in the Piano group are those contained in the “Piano” category in the Voice List (page 94). For details about selecting Voices, refer to page 26.
• You can assign other functions to each pedal by using “Pedal Assign” in “Voice” menu (page 79).

Half-pedal function
The damper pedal also has a Half-pedal function which allows you to use half-damper techniques, in which the damper is pressed somewhere between all the way down and all the way up. In this half-damper state (on a real piano), the damper felts only partially mute the strings. This function lets you delicately and expressively control the damper muting, and create subtle nuances in your performance, by finely controlling the point at which pressure on the pedal affects the damper muting. For details on setting this, refer to “Half Pedal Point” on page 25.

Sostenuto pedal (center pedal)
If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. All subsequent notes will not sustain. 
(Score)
When you press the sostenuto pedal here while holding the note(s), the notes will sustain as long as you hold the pedal.

NOTE
• While the sostenuto (center) pedal is held, a sustained (nondecaying) type of Voice such as strings or organ may sound continuously without decay after the notes have been released.
• The center pedal or left pedal can also be used as a [PLAY/PAUSE] button. For details on the settings, refer to “Play/Pause” on page 86.

Soft pedal (left pedal)
The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed. In order to apply this effect, play notes after pressing the pedal.
Keep in mind that this pedal may control a function other than the Soft pedal, depending on the selected Voice (page 79). When “Jazz Organ” is selected, this pedal switches the Rotary Speaker speed between slow and fast (“Rotary Speed” on page 78). When “Vibraphone” is selected, this pedal switches Vibrato on and off (“VibeRotor” on page 78).


Basic Operations
On the screen display, you can call up three main functions: Voice, Song and Demo. In addition, various detailed settings can be made, for even greater playability and performance potential.

(Figure)
Menu button
Exit button

Voice: Instrument sound for playing from the keyboard. In addition to the Piano sounds, a wide variety of other musical instrument sounds are available.
Song: A piece of music for listening enjoyment or for playing back and practicing along with.
Demo: Voice Demos let you experience the characteristics of the Voices.

Selecting Voices
1. Press the [VOICE] button to call up the Voice group list.
2. Press the [Cursor up] or [Cursor down] button to select a Voice group.
(Figure)
When this is shown here, you can scroll through the display vertically.
[Cursor right] to select a Voice.
[Cursor left] to return.
3. Press the [Cursor up] or [Cursor down] button to select a Voice.
(Figure)
[Cursor right] to select a Voice.
[Cursor left] to return.
4. Play the keyboard.
Voice display
(Figure)
Press the [Cursor left] or [Cursor right] button to select the previous or next Voice.
This indicates the current position in the Voice group.

Selecting Songs and Demos
1. Press the [SONG/DEMO] button to call up the Song category list.
2. Press the [Cursor up] or [Cursor down] button to select a Song category.
(Figure)
When this is shown here, you can scroll through the display vertically.
[Cursor right] to select a Song.
[Cursor left] to return.
3. Press the [Cursor up] or [Cursor down] button to select a Song.
(Figure)
When “Lesson” is selected, press the [Cursor up] or [Cursor down] button to select a Lesson type.
[Cursor right] to select a Song.
[Cursor left] to return.
4. 
Press the [PLAY/PAUSE] button to playback the Song.
Song display
(Figure)
Use the [Cursor left] or [Cursor right] button to select the previous or next bars. 

Detailed Settings (Menu display)
1. Press the Menu button repeatedly to select the desired menu.
(Figure)
Menu icon
Menu name
2. Press the [Cursor up] or [Cursor down] button to select a parameter.
(Figure)
Note that the hierarchy depth differs depending on the selected parameter.
[Cursor right] to detailed settings.
Exit to return to the previous display.
[Cursor right] to detailed settings.
[Cursor left] to return.

Adjusting the value on the slider pop-up window
(Figure)
3. Press the [Cursor left] or [Cursor right] button to adjust the value, press the Exit button to close the pop-up window.

Selecting a value from a list
(Figure)
A checkmark is shown at the right of the selection.
3. Use the [Cursor up][Cursor down] buttons or the [Cursor right] button to select a setting.
Press the [Cursor left] button to return to the previous display.

Resetting to the Default Setting
If you want to reset the selected value to its default setting, press and hold the Menu button.

Changing the Control Panel Settings
You can change the time that elapses until the control panel turns off, or you can set it to remain on indefinitely. You can also set the operation sound to off. For details, refer to “Auto Backlight Off” or “Touch Panel Sound” on page 89.

NOTICE
Do not operate the control panel using a sharp item, your fingernails or other hard objects. This may damage the control panel.

Return to the Voice/Song display
Press the Exit button to return to the Voice display or the Song display, depending on which display was previously shown. 
While the pop-up window is shown, pressing the Exit button returns to the previously shown display. 


Enjoying the Piano Performance
This instrument puts the sounds of two renowned grand pianos, the Yamaha CFX and Bösendorfer Imperial, as well as other piano sounds—each with its own distinctive appeal and sonic characteristics.
Simply select the particular piano sound desired, according to the music you intend to play or your personal preferences.

Selecting two Grand Piano Voices from the panel directly
(Figure)

1	Press the [CFX GRAND] button or the [BÖSENDORFER] button to select the piano type.
A Voice is called up from the selected Voice button and its name appears on the Voice display.
(Figure)
Voice display
Voice name

CFX Grand
Yamaha’s CFX concert grand piano sound with a wide dynamic range for maximum expressive control. Suitable for playing in any music genre and style.

Bösendorfer
The famed sound of the Vienna-made Bösendorfer Imperial concert grand piano. Its spacious sound evokes the size of the instrument, and is ideal for expressing tenderness in compositions.

2	Play the Keyboard.

NOTE
You can hear and experience the characteristics of the Voices by listening to the Demo Songs for each Voice (page 28).

Selecting Other Piano Voices
Press the [Cursor left]/[Cursor right] buttons to select other piano Voices than “CFX Grand” and “Bösendorfer.” You can also select the other Voices by pressing the [VOICE] button (page 26).


Customizing the Sound and the Touch Sensitivity of Piano Voices (Piano Room)
You can adjust the detailed settings of Voices in the Piano group in the Piano Room. Try creating a custom piano sound by adjusting the various parameters such as lid position, string resonance, damper resonance and so on.
(Figure)
Exit button

NOTE
Voices in the Piano group are those contained in the “Piano” group in the Voice List on page 94.

1	Press the [PIANO ROOM] button to call up the Piano Room display.
(Figure)
Piano Room display

NOTE
• If a Voice other than one in the Piano group is selected, pressing the [PIANO ROOM] button changes it to “CFX Grand.”
• Pressing the [PIANO ROOM] button disables the Duo function (page 32).

2	Press the [Cursor up]/[Cursor down] buttons to select items (page 24).

3	Press the [Cursor left]/[Cursor right] buttons to change the settings (page 24).

4	Press the Exit button to exit from the Piano Room display.


Parameters you can set in the Piano Room
(Table)
Item		Icon	Description	Default setting	Setting Range
Lid Position	(Figure)		Recreates the differences in sound depending on how high the (virtual) grand piano lid is opened.	Full	Full, Half, Closed
Brightness	(Figure)		Adjusts the brilliance of sound.	Differs depending on the Voice.	0 – 10
Touch		(Figure)	Determines how the sound responds to your playing strength. You should adjust this setting according to the specific Voice you’re playing or the particular Song you’re performing, as desired.	Medium	Soft2, Soft1, Medium, Hard1, Hard2, Fixed
Reverb		(Figure)	Determines the Reverb type which is applied to all the entire sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device.	Differs depending on the Voice.	Refer to the Reverb Type List (page 29)
	Reverb Depth	(Figure)	Adjusts the Reverb depth. When “Reverb” is set to “off” or a value of “0,” no effect is produced.	Differs depending on the Voice.	0 – 40
Master Tune	(Figure)		Fine tunes the pitch of the entire instrument. This function is useful when you play this instrument along with other instruments or CD music.	A3 = 440.0 Hz	A3 = 414.8 Hz – 466.8 Hz (approx. 0.2 Hz steps)
VRM		(Figure)	Turns the VRM effect on/off. For information about the VRM function, refer to page 25.
Listening to the VRM Demo 
(Figure)
Press the [PLAY/PAUSE] button while this display is open to play back the VRM Demo Song. You can hear the Demo Song with and without the effect (VRM on or off). 
The five parameters below can be set when “VRM” is On. 	On	On, Off
	Damper Resonance	(Figure)	Determines the depth of the string resonance effect which is applied when the damper pedal is pressed. 	5	0 – 10
	Damper Noise		Turns the Damper Noise produced by the VRM function On/Off. For details on damper noise, refer to page 25. This function will be disabled when “Damper Resonance” is set to “0.”	On	On, Off
	String Resonance	(Figure)	Determines the depth of the string resonance effect which is applied when a note on the keyboard is pressed. 	5	0 – 10
	Duplex Scale Resonance		Adjusts the sympathetic vibrations of the duplex scaling resonance effect in VRM. For details about duplex scaling, refer to “What is Duplex Scale?” (page 25).	5	0 – 10
	Body Resonance		Adjusts the resonance of the piano itself (the soundboard, the sides, the frame and so on) in VRM.	5	0 – 10
Grand Expression		(Figure)	Selects the type of the Grand Expression Modeling effects, which simulates the physical sound transitions of an actual piano. When this feature is set to “Dynamic,” you can control extremely subtle nuances in the performance and sound by changing your playing strength or touch. When set to “Static,” the nuances are generally fixed. For details about Grand Expression Modeling, refer to the below.
NOTE
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”
Listening to the Demo 
(Figure)
Press the [PLAY/PAUSE] button while this display is open to play back the Demo Song of this function. You can listen to the Demo song with “Dynamic” or “Static.”	Dynamic	Dynamic, Static
Half Pedal Point		(Figure)	Specify the point to which you must depress the right pedal before the effect of “Sustain Continuously” begins to be applied. This setting applies only to the “Sustain Continuously” effect (page 80) that is assigned to the right pedal.	0	−2 (effective with the shallowest press) – 0 – +4 (effective with the deepest press)
(Table end)

NOTE
• If you wish to keep the Piano Room settings even after turning off the power, set “Voice” and “Other” in the “Backup” setting to “On.” For details, refer to page 92.
• The items listed above can also be set in the “Voice” menu (page 77) or the “System” menu (page 85). When you change these settings in the Piano Room display, the settings in the menu displays will also be changed. Conversely, changing the settings in the menu displays will also change the settings in the Piano Room display.
• To restore the default value, press and hold the Menu button while the setting value is shown.


What is VRM?
The VRM (Virtual Resonance Modeling) function uses sophisticated physical modeling to simulate the actual string resonance sound that occurs when the damper pedal on a real piano is pressed or keys are played and held.
On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the pressed key vibrate, it also causes other strings and the soundboard to vibrate, each influencing the rest and creating a rich and brilliant resonance that sustains and spreads. The VRM (Virtual Resonance Modeling) technology featured in this instrument reproduces the complicated interaction of both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling), and makes the sound more like a real acoustic piano. Since instantaneous resonance is made at the moment according to the state of the keyboard or pedal, you can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the pedal.

What is Duplex Scale?
Duplex scaling is a stringing method for pianos that uses extra, un-struck strings in the upper octaves to enhance the tone. These strings sympathetically vibrate with other strings in an acoustic piano, resonating with overtones, and adding richness, brilliance and complex color to the sound. Since they do not have a damper, they will continue sounding even after you release your hands from the keyboard.

What is Damper Noise?
Damper noise is the sound made on an acoustic piano when the damper pedal is pressed. The damper noise changes in tone and volume depending on how quickly the damper pedal is pressed down. Pressing the damper pedal slowly will make a quieter sound when the damper heads are released from the strings. Pressing the damper pedal with force will transmit the vibrations to the strings, which adds a lower and louder sound.


What is Grand Expression Modeling?
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a key to when you release it. For example, when you press a key all the way to its bottom, the key hits the keybed underneath and the noise reaches the strings, changing the sound slightly. Furthermore, the tone when the damper is lowered onto strings to mute the sound is changed by how quickly you release the key. The Grand Expression Modeling technology recreates these subtle changes in the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering sound produced when releasing the keys slowly.


Playing Various Musical Instrument Sounds (Voices)
In addition to the wonderfully realistic piano sounds, you can select and play other musical instrument sounds (Voices), such as organ or stringed instruments. You can also select authentic Voices of fortepianos, which were made in 18th and 19th centuries.


Selecting Voices
The Voices of the instrument are conveniently divided into groups of instrument types. Select a desired Voice and play the keyboard.
(Figure)

NOTE
• To hear and experience the characteristics of the Voices, listen to the Demo Songs for each Voice (page 28).
• Touch Sensitivity will not be applied to some Voices. For information about the Voices to which Touch Sensitivity can be applied, refer to the Voice List on page 94.

1	Press the [VOICE] button to call up the Voice group list.
The currently selected Voice group is highlighted.
(Figure)
Voice group list
Voice group

NOTE
For information about the Voices, refer to the Voice List on page 94.

2	Use the [Cursor up]/[Cursor down] buttons to select the Voice group.
Highlight the Voice group name you want to use.

3	Press the [Cursor right] button.
The Voices in the selected group are listed in the display.
(Figure)
Voice

NOTE
Press the [Cursor left] button to return to the Voice list for selecting the Voice group.

4	Use the [Cursor up]/[Cursor down] buttons to scroll through the Voice list, and then press the [Cursor right] button to select the desired Voice.
The currently selected Voice name is shown in the display.
(Figure)
Voice display

You can select other Voices in order using the [Cursor left][Cursor right] buttons via the Voice display.
Press the [Cursor up] button to go back to the Voice group list.

5	Play the keyboard.

NOTE
You can specify the Touch Sensitivity (how the sound responds to the way you play the keys). You should adjust this setting according to the specific Voice you’re playing or the particular Song you’re performing, as desired. For details on the settings, refer to “Touch” on page 85. You can also adjust the Touch Sensitivity for the Voices in the Piano group from the Piano Room display (page 24).


Listening to the Voice Demos
Several Demo recordings have been specially prepared to showcase the exceptional characteristics of the corresponding Voices. For information about the Voices that can be heard with these Demos, refer to the “Voice Demo Song List” on page 96.
(Figure)

1	Press the [SONG/DEMO] button to call up the Song category list.
(Figure)

2	Use the [Cursor up]/[Cursor down] buttons to select “Demo,” and then press the [Cursor right] button.

3	Use the [Cursor up]/[Cursor down] buttons to select the desired Voice Demo, and then press the [Cursor right] button to call up the Demo display.
The currently selected Voice Demo name is shown in the display.
(Figure)
Demo display

4	Press the [PLAY/PAUSE] button to start playback.

NOTE
Recording operations cannot be used during Voice Demo playback.

5	Press the [PLAY/PAUSE] button again to stop playback.
The Voice Demo stops automatically when Voice Demo playback reaches the end.

Selecting Other Demos
Press the [Cursor up] button to return to the Song category list, then repeat steps 3 – 4 of this section.


Enhancing and Customizing the Sound
Applying the following effects gives you greater and richer expressive capabilities.

Adding reverberation to the sound (Reverb)
Adds reverberation to the sound. You can enjoy the realistic feeling of playing in a concert hall. When you select a Voice, the optimum Reverb Type is automatically selected, but you can also select it yourself. The Reverb type selected here is applied to the entire sound, including the keyboard performance, Song playback and MIDI data input from an external device.
(Figure)

1	Press the [REVERB] button to call up the “Reverb” display.
(Figure)
“Reverb” display

The Reverb type for the Voices in the Piano group can also be set in the Piano Room display (page 24).

2	Use the [Cursor up]/[Cursor down] buttons to select the Reverb type.

NOTE
You can adjust the Reverb depth for the selected Voice from the “Voice” menu: “Voice Edit” > “Reverb Depth” (page 78).

Reverb Type List 
(Table)
Off 	No effect
Recital Hall 	Simulates clear reverberation in a mid-sized hall suitable for piano recital.
Concert Hall	Simulates brilliant reverberation in a large hall for public orchestra performances.
Chamber	Simulates the elegant reverberation in a small room suitable for chamber music.
Cathedral	Simulates the solemn reverberation in a high-ceiling stone-made cathedral.
Club	Simulates the lively reverberation in a jazz club or a small bar.
Plate	Simulates the bright sound of vintage reverb equipment used in recording studios.
(Table end)

Adjusting the brightness of the sound (Brilliance)
For adjusting the brightness of the sound or creating your own custom EQ settings. These settings are applied to the entire sound, including the keyboard performance, Song playback and MIDI data input from an external device.
(Figure)
Menu button
Exit button

1	Press the Menu button repeatedly to call up the “System” menu display, then select the highlighted item in each display as illustrated below.
(Figure)
“System” menu display
1-1. Use the [Cursor up]/[Cursor down] buttons to select “Sound.”
1-2. Press the [Cursor right] button to call up the next display.
“Sound” display
1-3. Use the [Cursor up]/[Cursor down] buttons to select “Brilliance.”
1-4. Press the [Cursor right] button to call up the next display.
“Brilliance” display
Checkmark
1-5. Use the [Cursor up]/[Cursor down] buttons to select the value.

Use the [Cursor up]/[Cursor down] buttons to select the desired tonality in the “Brilliance” display. To reset the default setting, hold down the Menu button.

(Table)
Mellow 1–3	Soft and mellow tone. The sound becomes more mellow and warmer as the number increases.
Normal	Standard tone.
Bright 1–3	Bright tone. The sound becomes brighter as the number increases.
User	Opens the “User” display, where you can create your own custom EQ settings. For details, refer to page 31.
(Table end)

Default setting: Normal

NOTE
If you select Bright 1–3 for the Brilliance setting, the volume level will increase slightly. In this condition, if you raise the [MASTER VOLUME] control setting, the sound may become distorted. If this happens, lower the volume accordingly.

2	Press the Exit button to close the “Brilliance” display.

Setting the User EQ
In the “Brilliance” display, you can also create your own custom EQ settings. The EQ (Equalizer) processes the sound by dividing the frequency spectrum into multiple bands, allowing you to boost or cut them as required to tailor the overall frequency response and provide optimum sound when listening through the instrument’s internal speaker or headphones, etc. 
The User EQ setting is applied to the entire sound including the keyboard performance, Song playback and MIDI data input from an external device.

1	Select “User” in the “Brilliance” display (step 1-5 on page 30), and then press the [Cursor right] button.
A display in which you can set the gain for three frequency bands appears.
(Figure)

2	Use the [Cursor left]/[Cursor right] buttons to select a band, then use [Cursor up]/[Cursor down] buttons to boost or cut it.
To reset the gain for each frequency band to the default value, hold down the Menu button.
(Figure)

Default setting: 0 dB
Setting range: −6 dB – 0 – +6 dB

3	Press the Exit button to close the “User” display.

Adding Chorus effect to the sound
This control adds warmth and spaciousness to the sound. The ideal Chorus type is automatically selected whenever you select a Voice, but you can select any of the available Chorus types. To select a desired Chorus type, use the “Voice” menu: “Chorus” (page 77). This setting is applied to the entire sound, including the keyboard performance, Song playback and MIDI data input from an external device.

NOTE
• You can adjust the Chorus depth for the selected Voice from the “Voice” menu: “Voice Edit” > “Chorus Depth” (page 78).
• When you want to apply the Chorus effect to a Voice whose Chorus type is set to off by default, set the Chorus type to something other than “Off,” then set the Chorus depth value as desired (greater than “0”).

Applying Effects
This instrument features a wide variety of Effects, letting you apply enhancements such as Echo or Tremolo to the selected Voice for your keyboard performance. You can select any of the available Effect types from the “Voice” menu: “Voice Edit” > “Effect” (page 78).


Playing Duo
This function allows two different players to play the instrument, one on the left and the other on the right. This is convenient for practicing duets over the same octave range.
(Figure)
Menu button
Exit button

1	Press the Menu button repeatedly to call up the “System” menu display, and then select the highlighted item in each display as illustrated below.
(Figure)
“System” menu display
1-1. Use the [Cursor up]/[Cursor down] buttons to select “Keyboard.”
1-2. Press the [Cursor right] button to call up the next display
“Keyboard” display
1-3. Use the [Cursor up]/[Cursor down] buttons to select “Duo.”
1-4. Press the [Cursor right] button to select “On.” 

The keyboard is divided into two sections, with the E3 key as the Split Point.
(Figure)
Equivalent to C3 (middle C)
Left section
Split Point E3
Equivalent to C3 (middle C)
Right section

NOTE
• In Duo, VRM (page 24) is not effective. When the Duo Type (page 86) is set to “Separated,” Reverb (page 29) and Binaural Sampling (page 86) are not effective.
• The specified Split Point key is included in the Left section.

The pedal function changes as follows.
(Table)
Right Pedal	Damper pedal for the Right section
Center Pedal	Damper pedal for both the Right and Left sections
Left Pedal	Damper pedal for the Left section
(Table end)

2	Press the Exit button to call up the Voice display.
[Duo] is shown in the Voice display while Duo mode is on.
If necessary, use the [Cursor left]/[Cursor right] buttons or the [VOICE] button to select the desired Voice. Only one Voice can be selected for the Right and Left sections.
 (Figure)

3	Play the keyboard.
The sound of Left section is emitted from the left, the sound of Right section is emitted from the right by default.

NOTE
You can listen to the sounds played by two players through both speakers as well, with a natural balance of sound.
Press the Menu button repeatedly to call up the “System” menu, and then change the setting in “Keyboard” > “Duo-Type” (page 86).

4	To turn Duo off, press the [CFX GRAND], [BÖSENDORFER] or [PIANO ROOM] button.
You can also turn it off by selecting “Off” on the display in step 1.


Using the Metronome
The instrument has a built-in metronome (a device that keeps an accurate tempo)—a convenient tool for practice.

1	Press the [METRONOME] button to start the metronome.
This calls up the Tempo display, from which you can adjust the tempo.
For details, see next section.

NOTE
• For information on setting the time signature, refer to page 35.
• You can set the metronome volume, BPM and so on from the Metronome menu (page 84).

2	Press the [METRONOME] button to stop the metronome.
To close the Tempo display, press the Exit button.


Adjusting the Tempo
(Figure)
Menu button
Exit button

1	Press the [TEMPO] button to call up the Tempo display.
(Figure)
Tempo value

2	Use the [Cursor left]/[Cursor right] buttons to adjust the tempo value (number of beats per minute).

To reset tempo to the default setting
Hold down the Menu button.

NOTE
When you select a Song, the metronome tempo changes to the tempo of the Song tempo. The metronome tempo is reset to the default setting (120) when the power is turned off.

3	Press the Exit button to close the Tempo display.


Setting the Metronome Time Signature
(Figure)
Menu button
Exit button

1	Press the [BEAT] button to call up the “Time Sig.” display.
(Figure)
“Time Sig.” display
Time Signature

2	Use the [Cursor up]/[Cursor down] buttons to select the desired time signature.

Setting range: 2/2, 3/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8
Default setting: 4/4 (Selecting a MIDI Song will change the time signature to that specified in the selected MIDI Song data.)

Tempo indication and Setting range
Tempo is displayed as “note type=xxx” (For example: =120). Selecting the Time Signature changes the available parameters as follows.

(Table)
Note type	Time Signature	Setting range
Half note	2/2, 3/2	3 – 250
Quarter note	1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4	5 – 500
Dotted quarter note	6/8, 9/8, 12/8	4 – 332 (even numbers only)
Eighth note	3/8, 7/8	10 – 998 (even numbers only) and 999
(Table end)

* When the tempo value of the selected MIDI Song is outside the setting range on the instrument, the value will be changed to fit within the setting range.
* Note type will be fixed to quarter note as long as the “BPM” parameter in the “Metronome” menu (page 84) is set to “Crotchet” regardless of the Time Signature you set.

Note type
The length of one beat

Metronome detailed settings
You can set the metronome volume, BPM and so on from the “Metronome” menu (page 84).

3	Turn the “Bell” setting on.
For details, refer to “Bell” in the “Metronome” menu (page 84).
The Metronome plays back according to the selected Time Signature with the Bell sound on the first beat of each measure.

4	Press the Exit button to close the “Metronome” menu.


Playing Back Songs
This instrument can play Preset Songs, Songs you recorded on this instrument, or commercially available Songs. In addition to listening to these Songs, you can play the keyboard as the Song plays back.
There are two kinds of Songs that can be recorded and played back on this instrument: MIDI Songs and Audio Songs.

MIDI Song
A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual sound itself. The performance information refers to which keys are played, at what timing, and at what strength—just as in a musical score. Based on the recorded performance information, the tone generator outputs the corresponding sound. A MIDI Song uses a small amount of data capacity in comparison to an Audio song, and allows you to easily change aspects of the sound, such as Voices used, etc.

Audio Song
An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used with voice recorders, etc. This data can be played with a portable music player, etc., allowing you to easily let other people hear your performance.

Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the following icons indicate whether or not the explanation applies to MIDI Songs or Audio Songs individually.

Example: reversed black MIDI icon, reversed gray Audio icon
Indicates explanation applies only to MIDI Songs.

You can play back the following types of Songs in this instrument.
• Voice Demo Songs (Voice Demo).
• Preset Songs: 50 classical Preset Songs (“50 Classical”) and 303 Lesson Songs (“Lesson”)
• Your own recorded Songs (see page 46 for instructions on recording)
• Commercially available MIDI Song data: SMF (Standard MIDI File) 
The maximum size for playback on this instrument is approx. 500 KB per single MIDI Song.
• Commercially available Audio Song data: Wav (file extension = .wav with 44.1 kHz sample rate, 16-bit resolution, stereo, and maximum 80 minutes length)


Song Playback
(MIDI Song/Audio Song)

(Figure)

NOTE
The instrument can automatically select a Song file saved in the root directory of the USB flash drive as soon as the USB flash drive is connected. For instructions, refer to “USB Autoload” on page 88.

1	If you want to play back a Song in a USB flash drive, connect the USB flash drive containing Song data to the [USB TO DEVICE] terminal beforehand.

NOTE
Before using a USB flash drive, be sure to read “Connecting USB Devices ([USB TO DEVICE] Terminal)” on page 64.

2	Press the [SONG/DEMO] button to call up the Song category list, then select the desired category using [Cursor up]/[Cursor down] buttons. 
Select the desired one from “50 Classical,” “Lesson,” “User” or “USB” referring to the category descriptions below.
(Figure)
Song category list
[Cursor down] button

(Table)
Demo	Voice Demos let you experience the characteristics of the Voices (MIDI Song). Refer to page 28 for how to play back the Demo. For Song names, refer to the “Voice Demo Song List” on page 96.
50 Classical	50 classical Preset Songs (MIDI Songs). For these Songs, see the music book “50 Classical Music Masterpieces,” included with this instrument. For details, refer to the “Song List” on page 97.
Lesson	303 Preset Songs (MIDI Songs) ideal for practice, taken from “The Virtuoso Pianist” and others. For these Songs, refer to the Lesson Songs on page 97. Lesson Songs are divided into several folders depending on the types.
User	MIDI Songs which have been recorded and saved to the instrument by using the recording function (page 46), and MIDI Songs which have been copied/moved to the instrument using File operations (page 57).
USB*	MIDI/Audio Songs saved to the USB flash drive by recording them with this instrument or Audio Songs converted from MIDI Songs (page 61), or MIDI/Audio Songs saved to the USB flash drive.
(Table end)
* This category appears only when a USB flash drive is connected to the [USB TO DEVICE] terminal.

3	Press the [Cursor right] button to display the Songs in the specified category, and then select a desired Song using the [Cursor up]/[Cursor down] buttons.
When “User” or “USB” category is selected, the icon indicating Song types are shown to the left of the Song name.

NOTE
Press the [Cursor left] button to return to the category/folder.

(Figure)
Song List
Icon

(Table)
Icon	Data format
Folder icon	Folder
Musical note icon	MIDI Songs
Audio wave icon	Audio Songs
(Table end)

Since the Lesson Songs are conveniently divided into specific folders, select the desired folder, press the [Cursor right] button, and then select a Song.

To select a recorded Song saved to USB flash drive:
When you record a Song and save it to a USB flash drive, the recorded Song will automatically be saved to the USER FILES folder on a USB flash drive. If you want to select the Song from the USER FILES folder, select USB in step 2, and USER FILES folder in step 3.

NOTE
“NoSong” will be shown in the display when no data exists in that folder.

When Songs cannot be read from a USB flash drive
If the song cannot be read, you
may need to change the Language setting for the Song name in the “System” menu (page 89).

4	Press the [Cursor right] button to actually select the Song.
In the Song display, the currently selected Song name and its category name are shown.

NOTE
• Press the [Cursor up] button to return to the Song list.
• When the Song title is too long to be displayed, press the [Cursor down] button to see the full title.

(Figure)
Song display (MIDI Song)
Category name
Song name
Song display (Audio Song)
Category name
Song name

5	Press the [PLAY/PAUSE] button to start playback. 
The current position of the Song playback will be shown.
(Figure)
Song display (MIDI Song)
Current position
Song display (Audio Song)
Current position

You can play the keyboard along with Song playback. You can also change the Voice for your keyboard performance. To adjust the volume balance between your keyboard performance and MIDI Song playback, or to adjust the Audio Volume, set the appropriate Volume parameters individually in the “Song” menu (page 44).

NOTE
• If a Song has been selected, the original tempo of the Song is used, and the Metronome setting (page 34) will be ignored.
• Useful playback functions are described on pages 40 – 45.

6	Press the [PLAY/PAUSE] button again to stop playback.
Even if you don’t press the [PLAY/PAUSE] button, the Song stops automatically when Song playback reaches the end.

Rewind/Fast forward/Returning to the top of the Song

1	Use the [Cursor left] and [Cursor right] buttons to move back or forth through the Song (in bars or seconds), while the Song display is shown.
(Figure)
Song display (MIDI Song)
Measure number 
Song display (Audio Song)
Elapsed time

Holding the corresponding button scrolls backward/forward continuously.

Returning to the top of the Song
Hold down the Menu button.

Adjusting the tempo
You can adjust the playback tempo of a Song.
(Figure)
Menu button
Exit button

NOTE
Changing the tempo of an Audio Song may change its tonal characteristics.

1	Press the [TEMPO] button to call up the “Tempo” display.
For a MIDI Song, press the [TEMPO] button during Song playback or while the Song display is shown. For an Audio Song, press the [TEMPO] button during Song playback.
(Figure)
“Tempo” display (MIDI Song)
Tempo
“Tempo” display (Audio Song)
Tempo

2	Change the Tempo value using the [Cursor left]/[Cursor right] buttons.
[≡] (Menu) Press and hold both buttons to return to the original tempo (specific to that song).

For MIDI Songs
The tempo range differs depending on the Time Signature for the selected MIDI Song. Available setting values may only include even numbers (multiples of 2), depending on the Time Signature. For more information, refer to page 35.

For Audio Songs
The tempo range is between 75% – 125%. 100% is the original tempo value. Higher values result in a faster tempo.

3	Press the Exit button close the “Tempo” display.


Playing a One-hand Part — Part Cancel Function (MIDI Songs)
Some MIDI Songs, such as Preset Songs, are divided into right-hand and lefthand parts. By using such Song data, you can practice the left hand by turning on only the right-hand part, and practice the right hand by turning on only the left-hand part—allowing you to practice parts separately for easy mastery of difficult material.
(Figure)
Menu button

1	Select a Song for practicing.
For instructions, refer to page 37. Song categories “50 Classical” and “Lesson” are recommended for this.

NOTE
• The parts can be turned on or off even during playback.
• Usually, Channel 1 is assigned to “R,” Channel 2 is assigned to “L,” and Channels 3–16 are assigned to “Extra.” However, the assignments may differ depending on the particular Song. Channels assigned to “Extra” cannot be set to on or off individually.
• Some songs in “50 Classical” and “Lesson” categories are duet songs. Refer to page 97 about part assignment for the duet songs.
• Whenever you select another MIDI Song, both parts are automatically turned on.

2	Select a part you want to practice, then set the part to off.
Press the Menu button repeatedly to call up the “Song” menu display, then select the highlighted item in each display as illustrated below.

In the “L/R” display, select the part (track) you want to mute for practicing. Select “R” for practicing the right-hand part, or “L” for the left-hand part.
(Figure)
“Song” menu display
2-1. Use the [Cursor up]/[Cursor down] buttons to select “L/R.”
2-2. Press the [Cursor right] button to call up the next display.
L/R display
2-3. Use the [Cursor up]/[Cursor down] buttons to select desired part.

3	Use the [Cursor right] button to select “Off” for the selected part.

4	Press the [PLAY/PAUSE] button to start playback.
Play and practice the part you just muted.

5	Press the [PLAY/PAUSE] button again to stop playback.
Even if you don’t press the [PLAY/PAUSE] button, the Song stops automatically when Song playback reaches the end.

NOTE
When the “Play Track” is set to “1&2,” tracks 3 to 16 are not played. For details, refer to page 82. 


Playing Back a Song Repeatedly
(MIDI Song/Audio Song)
There are three Repeat methods as follows. These are convenient for repeatedly practicing difficult phrases. It is a good idea to use this function and the Part Cancel function (page 40) for practicing difficult phrases, in the case of MIDI Songs.
• AB Repeat	Plays the specified range of the selected MIDI Song repeatedly.
• Phrase Repeat	Plays a specific phrase of a MIDI Song containing Phrase Marks repeatedly.
• Song Repeat	Plays a MIDI/Audio Song repeatedly, or plays all MIDI/Audio Songs saved in a selected category (folder) repeatedly either in order or in random order.

NOTE
Phrase Mark is a pre-programmed marker in certain MIDI Song data, which specifies a specific location in the Song.

(Figure)
Menu button

1	Select a Song to be played back.
For instructions, refer to page 37.

2	Call up the Repeat display.
Press the Menu button repeatedly to call up the “Song” menu display. Select “Repeat,” then press the [Cursor right] button.
(Figure)
“Song” menu display
“Repeat” display

3	In the “Repeat” display, select a desired item using the [Cursor up]/[Cursor down] buttons, then press the [Cursor right] button.
Select “A–B” for AB Repeat, select “Phrase” for Phrase Repeat, or select “Song” for Song Repeat.

4	Set in the appropriate setting display.
• AB Repeat	See page 42.
• Phrase Repeat	See page 81 (“Phrase” section in “Repeat”).
• Song Repeat	See page 43.

AB Repeat setting 
(MIDI Song)
See page 41 for information on basic operations. Continuing from step 4 on that page, follow the procedure below.

4-1	Press the [PLAY/PAUSE] button to start Song playback.

4-2	Press the [Cursor right] button at the starting point (A) of the range to be repeated.
(Figure)
Setting display

Specifying the top of a Song as Point A
Specify Point A before starting playback, then start playback and specify Point B.

Specifying the end of a Song as Point B
Specifying only Point A results in repeat playback between Point A and the Song end (as Point B).

NOTE
You can also specify the repeat range by the following procedure.
1. Highlight the measure number using the [Cursor up] button, then fast-forward the Song to Point A using the [Cursor up]/[Cursor down] buttons.
2. Highlight “Set A” using the [Cursor down] button, then press the [Cursor right] button.
After specifying Point A, the display for specifying Point B is called up.
3. Specify Point B in the same way as Point A.

4-3	Press the [Cursor right] button again at the ending point (B).
After an automatic lead-in (to help guide you into the phrase), the range from Point A to Point B is played back repeatedly.

5	To turn off the Repeat function, press the [Cursor right] button while “Repeat Off” is highlighted, or select another Song.
(Figure)

Song Repeat setting 
(MIDI Song/Audio Song)
See page 41 for information on basic operations. Continuing from step 4 on that page, follow the procedure below.

4-1	Select the desired Repeat type using the [Cursor up]/[Cursor down] buttons in the setting display.
(Figure)
Checkmark

(Table)
Off 	Disables Repeat playback. The Song stops automatically when playback of the selected Song reaches the end.
Single	Plays through the selected Song repeatedly.
All	Continuously plays back all Songs in the selected category or folder in order.
Random	Continuously plays back all Songs in the selected category or folder in random order.


4-2	Press the [PLAY/PAUSE] button to start Repeat playback.
Icons corresponding to each Repeat setting are shown on the Song display.
(Figure)
Icon

While the Repeat setting is on, Single, All, or Random icon is shown in the upper right corner of the Song display.

5	To turn off the Repeat function, press the [PLAY/PAUSE] button again to stop playback, and then select “Off” in step 4-1.


Adjusting the Volume Balance
(MIDI Song/Audio Song)
When a MIDI Song is selected, you can adjust the Volume balance between the Song playback and the sound you are playing on the keyboard, or between the Right and Left parts of the selected Song. When an Audio Song is selected, you can adjust the Audio Song volume.
(Panel control)
Menu button
Exit button

Select the desired Song beforehand. For instructions, refer to page 37.

1	Press the Menu button repeatedly to call up the “Song” menu display. Select “Volume,” and then press the [Cursor right] button.
(Figure)
“Song” menu display (When a MIDI Song is selected)
“Song” menu display (When an Audio Song is selected)

2	When a MIDI Song is selected, select “Song – Keyboard” or “Song L – R” using the [Cursor up]/[Cursor down] buttons, then press the [Cursor right] button to call up the setting display. 
When an Audio Song is selected, use the [Cursor left]/[Cursor right] buttons to set the Audio playback volume. After setting the value, go on to step 4.

(Table)
Song – Keyboard	Adjust the Volume balance between the MIDI Song playback and the sound you are playing on the keyboard.
Song L – R	Adjust the Volume balance between the Right and Left parts of the selected MIDI Song.
(Table end)

NOTE
Some commercially available music data contain extremely high volumes. When using such data (MIDI Song), adjust the “Song – Keyboard” setting.

3	Adjust the Volume balance by using the [Cursor left]/[Cursor right] buttons.
In the case of “Song – Keyboard”: 
(Figure)
The volume of your playing will be lower.
The Song playback volume will be lower.

In the case of “Song L – R”: 
(Figure)
R part volume will be lower. 
L part volume will be lower.

4	Press the Exit button twice to exit from the “Song” menu display.
Whenever you select another MIDI Song, the setting for “Song L – R” is restored to its default setting. As for “Song – Keyboard” and Audio Volume, selecting another Song will not reset the value.

NOTE
The selected parameters of “Song – Keyboard” will be maintained (Backup Setting) even when the power is turned off. Make sure not to set the volume levels to minimum. Otherwise the sound of keyboard or songs will not be played. You can change the settings to maintain the selected parameter or not. For details, refer to “Backup Setting” on page 92.


Useful Playback Functions
(MIDI Song/Audio Song)

Starting/pausing playback by using a pedal
You can assign the Song Play/Pause function (the same function as the [PLAY/PAUSE] button on the control panel) to the center or the left pedal. Press the Menu button repeatedly to call up the “System” menu, and then select “Pedal” > “Play/Pause” to make the assignment. For details, refer to page 86.
This is convenient for starting or pausing playback when you are performing and can’t take your hands from the keyboard.

Transposing the pitch of a Song
You can shift the pitch of Song playback up or down in semitone intervals. Press the Menu button repeatedly to call up the “Song” menu > “Transpose.” For details, refer to page 81.


Recording Your Performance
This instrument allows you to record your performance in the following two methods.

MIDI Recording
With this method, recorded performances are saved to the instrument or a USB flash drive as an SMF (format 0) MIDI file. If you want to re-record a specific section or edit parameters such as Voice, use this method. Also you can record your performance to each Track one by one. Since a MIDI Song can be converted to an Audio Song after recording (page 61), you may want to use MIDI recording (with overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to play live, then convert it to an Audio Song. This instrument allows you to record approximately 500 KB of data per Song.

Audio Recording
With this method, recorded performances are saved to a USB flash drive as an Audio file. Recording is done without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality resolution (44.1 kHz/16 bit), it can be transmitted to and played on portable music players by using a computer. Because the audio sound input* from the external device is also recorded, you can record your keyboard performance along with the performance sound of the connected audio device, computer, or smart device, etc. This instrument allows you to record up to 80 minutes per single recording.

* Audio sound input (Audio input sound): Audio data sent to this instrument from the external devices such as a computer or a smart device, etc., when connecting the instrument with the devices via [AUX IN] jack, USB [TO HOST] terminal, wireless LAN, or Bluetooth. For connection with these devices, refer to the “Connecting to Other Devices” section from page 62.

For details about the difference between MIDI Songs and Audio Songs, refer to page 36.


Recording Methods
This chapter covers the following four methods. Note that the created data format differs depending on the method, MIDI or Audio.

Quick MIDI Recording (page 47)
This method lets you start recording most quickly. Your performance will be recorded and saved to the “User” category in this instrument’s internal memory.

MIDI Recording — Independent Tracks (page 49)
This lets you record the right, left and extra parts separately. Since you can record the left part while playing back the right, this is useful for recording both parts of a duet. Since you can record up to sixteen parts separately, record the performance of each instrument part one by one and create fully orchestrated compositions.

MIDI Recording to the USB Flash Drive (page 51)
This method is useful when you want to overwrite the already recorded MIDI Song in the USB flash drive or create a New MIDI Song on the USB flash drive.

Audio Recording to the USB Flash Drive (page 52)
This method lets you record your performance as Audio data to the USB flash drive connected to the [USB TO DEVICE] terminal.


Quick MIDI Recording
This is the quickest way to start recording.
(Figure)

NOTE
If you want to record the lefthand and right-hand parts
individually, refer to “MIDI Recording—independent Tracks” (page 49) since the Recording method here assumes that both the left and right parts are being recorded together.

Using the Metronome
You can use the Metronome while recording. However, the Metronome sound cannot be recorded.

NOTE
• The “Song – Keyboard” Volume Balance (page 81) will not be recorded.
• With MIDI recording, the performance will be recorded to Track 1. However, in the Duo mode, the tracks assigned for recording and the tracks actually used for recording are different. For details refer to “Recording Track Assignment for Duo” on page 49.

Mode:
A mode is a status under which you can execute a certain function. In Recording mode, you can record Songs.

NOTE
Pressing and holding the [REC] button for a second will call up the display which lists the Recording Target Songs. In this case, select “New Song” then press the [Cursor right] button referring to the table on page 51.

1	Make the necessary settings such as Voice selection and time signature.
Before starting the Recording operation, select a Voice (page 26) for your keyboard performance, turn Duo on or off as desired, set the tempo and time signature of the Metronome (page 34), then select a Reverb/Chorus/Effect type as desired.

2	Press the [REC] button to enter the Recording mode.
A blank new Song for recording is automatically set.
(Figure)
REC display
Measure number

The [PLAY/PAUSE] button will flash at the current tempo.
To exit from the Recording mode, press the [REC] button again.

3	Play the keyboard (or press [PLAY/PAUSE]) to start recording.
When you wish to record an empty section at the start of the Song, press the [PLAY/PAUSE] button to start recording.
(Figure)
REC display (during recording)

4	After you finish your performance, press the [REC] button again to stop recording.
This operation exits from the Recording mode and calls up the display for saving the recorded performance data.

5		If you want to save the recorded performance, press the [Cursor right] button to execute the Save operation while “Save” is highlighted.
After the Save operation is completed, the display shows “Save Completed” then returns to the Song display. The recorded Song will be named “USERSONGxxx” (xxx: number) and saved in the “User” category.

NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the Save operation.

Renaming the recorded Song
The recorded Songs are named automatically, but you can rename Songs as you like (page 61).

(Figure)

• If you are not satisfied with your performance and want to record again, highlight “Retry” then press the [Cursor right] button. Try recording again from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then press the [Cursor right] button.

6	To hear the recorded performance, press the [PLAY/PAUSE] button.

NOTE
Refer to page 59 for how to delete a Song.


Data that can be recorded to MIDI Songs

Data for each Track
• Note data (your keyboard performance)
• Voice selection
• Pedal operations (Damper/Soft/Sostenuto)
• Reverb Depth
• Chorus Depth
• Effect Depth
• Sound brightness — “Brightness”
• Resonance effect setting — “Harmonic Cont”
• Octave
• Volume setting for each Voice — “Volume”
• Pan for each Voice
• Touch Sensitivity — “Touch Sens.”
• Grand Expression Modeling data

NOTE
Parameter settings other than Voice and Tempo, such as note data, pedal (Damper/Soft/ Sostenuto) data, octave setting and time signature, cannot be changed after recording.

Data commonly for all Tracks
• Scale
• Tempo
• Time Signature
• Reverb Type
• Chorus Type
• Effect Type


MIDI Recording — Independent Tracks
With MIDI Recording, you can create a MIDI Song consisting of 16 tracks by recording your performance to each track one by one. In recording a piano piece, for example, you can record the right-hand part to Track 1 then record the left-hand part to Track 2, allowing you create a complete piece which may be difficult to play live with both hands together.
In this way, you can create an entire Song which would otherwise be difficult, or even impossible, to play live.

NOTE
If you want to record your performance to the USB flash drive or you want to add the recording to the MIDI Song in the USB flash drive, refer to “MIDI Recording to the USB flash drive” (page 51).

(Figure)
Example:
Track 1 Right-hand part
Track 2 Left-hand part

When you want to record a new track of an already recorded MIDI Song:
After selecting the target MIDI Song (steps 1 – 4 on pages 37 – 38), press and hold the [REC] button for a second to call up the display which lists the Recording Target Songs, select the 4th item (the selected MIDI Song), press the [Cursor right] button, then go to step 2 described on this page.

1	Execute the same operations as in step 1 and step 2 on page 47 to enter the Recording mode with a new blank Song selected.

2	Use the [Cursor left]/[Cursor right] buttons to select a Recording Track.
When you want to record the right-hand part, highlight “R” (Track 1).
When you want to record the left-hand part, highlight “L” (Track 2).
Alternately, when you want to record your performance to Tracks 3 – 16, call up the desired one by pressing the [Cursor left]/[Cursor right] buttons repeatedly.
(Figure)
Recording Track
Track Data Status
R': Contains data.
R: Contains no data.

NOTE
If you record your performance with both hands to R then to L, both are played back at the same time as a single Song.

Recording Track Assignment for Duo
When Duo is on, only the performance on the Right section will be recorded to the specified track. The performance on the Left section will be recorded to a track number that is higher in number (by 3) than the specified track. If this exceeds 16, calculate the destination track starting back at 1.

NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.

3	Play the keyboard to start recording.
When you want to record an empty section at the start of the Song, press the [PLAY/PAUSE] button to start recording.

4	After you finish your performance, press the [REC] button to stop recording.
This operation exits from the Recording mode and calls up the display for saving the recorded performance data.

5	If you want to save the recorded performance, press the [Cursor right] button to execute the Save operation while “Save” is highlighted.
After the Save operation is completed, the display shows “Save Completed” then returns to the Song display. The recorded Song will be named “USERSONGxxx” (xxx: number) and saved in the “User” category.
(Figure)

NOTICE
The recorded MIDI Song will be lost if you change to another Song or you turn the power off without executing the save operation.

Renaming the recorded Song
The recorded Songs are named automatically, but you can rename Songs as desired (page 61).

• If you are not satisfied with your performance and want to record again, highlight the cursor to “Retry” then press the [Cursor right] button. Try recording again from step 3.
• If you do not want to save the recorded data, highlight “Cancel” then press the [Cursor right] button.

6	To hear the recorded performance, press the [PLAY/PAUSE] button.

NOTE
For instructions on rewinding, fast-forwarding and returning to the top of the Song during Song playback, refer to page 39.

7	To record another Track, enter the Song Recording mode again.

7-1	Press and hold the [REC] button for a second.
The Recording Target Songs will be listed on the display.

7-2	Use the [Cursor down] button to select existing MIDI Song (at the bottom of the list), then press the [Cursor right] button. 
(Figure)

You can check whether or not each Track contains recorded data by the indication that appears at the upper right of each Track. For details on the indication, refer to “Track Data Status” on page 49.

NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.

NOTE
Refer to page 59 for how to delete a Song. Refer to “Track Delete” on page 82 for how to delete a track.

8	Record your performance to another track by repeating steps 2–6 of this section.
In step 2, select a track which has no recorded data. In step 3, play the keyboard while listening to the already recorded data.


MIDI Recording to the USB Flash Drive
These instructions describe how to overwrite an already recorded MIDI Song in the USB flash drive or how to create a New MIDI Song on the USB flash drive.
(Figure)

NOTE
• To connect a USB flash drive, be sure to read the section “Connecting USB Devices ([USB TO DEVICE] Terminal)” on page 64.
• Before starting the Recording operation, check the remaining memory capacity of the USB flash drive. “System” menu: “Utility” > “USB Properties” (page 88).

1	Connect the USB flash drive to the [USB TO DEVICE] terminal.

2	Select a MIDI Song as Recording target, then enter the Recording mode.

2-1	If you want to record an additional Track to the already recorded MIDI Song, select the desired MIDI Song in the USB flash drive. 
If you want to record from scratch, skip this step.

2-2	Press and hold the [REC] button for a second to call up the display which lists the Recording Target Songs. 
(Figure)

2-3	From the Recording Target Songs, select “New Song (USB)” or the MIDI Song selected in step 2-1 (4th item below) using the [Cursor up]/[Cursor down] buttons, then press the [Cursor right] button to enter the Recording mode.

(Table) 
Recording Target Song	Description
New Song	Select this when you want to record your performance to a blank MIDI Song and save to “User” category in this instrument’s internal memory.
New Song (USB)*	Select this when you want to record your performance to a blank MIDI Song and save to the USB flash drive.
New Audio (USB)*	Select this when you want to record your performance to blank audio data and save to the USB flash drive.
xxxxxx (MIDI Song selected in step 2-1 above)**	Select this when you want to record additionally to/overwrite the currently selected MIDI Song.
(Table end)

* Can be selected only when the USB flash drive is connected to the [USB TO DEVICE] terminal.
** Will not be shown when an already recorded MIDI Song is not selected in step 2-1 above, or when a Preset Song (Voice Demo, 50 Classical or Lesson) is selected in step 2-1.

3	Execute the Recording operation, then save the recorded performance.
When you want to record additionally to the currently selected MIDI Song, or record to a specified track on a blank MIDI Song:
Execute steps 2–8 in “MIDI Recording — Independent Tracks” on page 49.
When you want to quick record to a blank MIDI Song:
Execute steps 3–6 in “Quick MIDI Recording” on page 47.

NOTICE
Note that recording your performance to a Track containing data will overwrite the previously recorded data.

NOTE
The time signature and tempo cannot be changed when replacing the part of an existing MIDI Song.


Audio Recording to the USB Flash Drive
These instructions describe how to record your performance as audio data. Note that an audio file to which your performance is to be recorded can be saved only to a USB flash drive. This is why you should prepare your USB flash drive device before starting the Recording operation.

NOTE
• To connect a USB flash drive, be sure to read the section “Connecting USB Devices ([USB TO DEVICE] Terminal)” on page 64.
• Before starting the Recording operation, check the remaining memory capacity of the USB flash drive. “System” menu: “Utility” > “USB Properties” (page 88).
• With Audio recording, distorted sound may be produced if the Voice Volume is set to the value higher than the default setting. Make sure to set the Voice Volume to the default value or less before recording from the “Voice” menu: “Voice Edit” > “Volume” (page 78).
• With Audio recording, other audio input sounds (via Bluetooth, [AUX IN] etc.) from the external device (page 46) are also recorded.

1	Connect the USB flash drive to the [USB TO DEVICE] terminal.

2	Press and hold the [REC] button for a second to call up the display which lists the Recording Target Songs.

3	Use the [Cursor up]/[Cursor down] buttons to select “New Audio (USB)” then press the [Cursor right] button. 

4	Execute steps 3 – 6 in “Quick MIDI Recording” (page 47).
Unlike with MIDI Recording, the elapsed time is shown on the display while Audio Recording is being executed.
(Figure)


Other Recording Techniques

Re-recording a MIDI Song in parts 
You can re-record a specific range of the MIDI Song.
(Figure)
Menu button

1	Set the parameters which determine how recording starts and stops.
1-1	Press the Menu button repeatedly to call up the “Recording” menu display.
(Figure)

1-2	Use the [Cursor up]/[Cursor down] buttons to select “RecStart,” then select the value which determines how recording starts by using the [Cursor right] button.
(Table)
Normal	The already recorded data will be replaced with the new one as soon as recording starts.
KeyOn	The already recorded data will be maintained until you press a key, and actual recording starts as soon as you press a key.
(Table end)

1-3	Use the [Cursor up]/[Cursor down] buttons to select “RecEnd,” then select the value which determines how recording stops by using the [Cursor right] button.
(Table)
Replace	The data after the point you stop recording will also be erased.
PunchOut	The data after the point you stop recording will remain.
(Table end)

2	Press the [SONG/DEMO] button to call up the Song category list.

3	Select the desired MIDI Song.
For instructions, refer to page 37.


4	Specify the start point you wish to re-record.
Use the [Cursor left]/[Cursor right] buttons to move the playback position (measure number) to the desired point. Alternately, press the [PLAY/PAUSE] button to start playback, then press the [PLAY/PAUSE] button again slightly prior to the desired point.

If necessary, select the settings (Voice and other parameters).
Select the desired settings, if you wish to change the previous ones.

5	Press and hold the [REC] button for a second to call up the display which lists the Recording Target Songs, then select the 4th item (Song selected in step 3), then press the [Cursor right] button to enter the recording mode. 

NOTE
The time signature cannot be changed when replacing the part of an existing Song.

6	Use the [Cursor left]/[Cursor right] buttons to select a Track for re-recording.

7	Play the keyboard or press the [PLAY/PAUSE] button to start recording.

8	Press the [REC] button to stop recording.

9	Save the recorded performance by following step 5 on page 50.

10	To hear the recorded performance, press the [PLAY/PAUSE] button.

Changing the tempo or the Voice of a previously recorded MIDI Song
For MIDI Songs, you can change the tempo and Voice after recording to change a feel or to set a more suitable tempo.

To change the tempo: 
(Figure)
Menu button
Exit button

1	Select the MIDI Song you wish to change.
For instructions, refer to page 37.

2	Press the [TEMPO] button to call up the “Tempo” display, then set the desired Tempo.
For instructions, refer to page 39.

3	Press the Menu button repeatedly to call up the “Song” menu display, then select the highlighted item in each display as illustrated below.
(Figure)
“Song” menu display
3-1.	Use the [Cursor up]/[Cursor down] buttons to select “Edit.”
3-2.	Press the [Cursor right] button to call up the next display.
“Edit” display
3-3.	Use the [Cursor up]/[Cursor down] buttons to select “Tempo Change.”
3-4.	Press the [Cursor right] button to call up the next display.
“Tempo Change” display

4	Apply the selected Tempo value to the current MIDI Song data.
Press the [Cursor down] button to highlight “Execute,” then press the [Cursor right] button to apply the new Tempo value to the current MIDI Song data. 
(Figure)

When this operation is completed, “Completed” is shown on the display, and the Tempo Change display will be restored after a while. 

5	Press the Exit button to exit from the “Song” menu display.

To change the Voice:

1	Select the MIDI Song you wish to change.
For instructions, refer to page 37.

2	Select the desired Voice.
For instructions, refer to page 26.

3	Press the Menu button repeatedly to call up the “Song” menu display, then select the highlighted item in each display as illustrated below. 
(Figure)
“Song” menu display
3-1.	Use the [Cursor up]/[Cursor down] buttons to select “Edit.”
3-2.	Press the [Cursor right] button to call up the next display.
“Edit” display
3-3.	Use the [Cursor up]/[Cursor down] buttons to select “Voice Change.”
3-4.	Press the [Cursor right] button to call up the next display.
“Voice Change” display

4	Press the [Cursor right] button to call up the setting display, then select the desired Track using the [Cursor up]/[Cursor down] buttons.

5	Apply the Voice selected in step 2 for the Track selected in step 4 to the current MIDI Song data.
Press the [Cursor left] button to return to the Voice Change display. Press the [Cursor down] button to highlight “Execute,” then press the [Cursor right] button to apply the new Voice to the current MIDI Song data.
(Figure)

When this operation is completed, “Completed” is shown on the display, and the Voice Change display will be restored after a while.

6	Press the Exit button to exit from the “Song” menu display.


Handling Song Files
The “File” menu in the “Song” menu display (page 81) enables you to apply various operations to Song files— Songs you recorded on this instrument or commercially available Songs.
To connect a USB flash drive, be sure to read the section “Precautions when using the [USB TO DEVICE] terminal” on page 64.

File
A file contains a group of data. On this instrument, a Song file includes Song data and a Song name.

(Table)
Operation	File menu	Page
Deleting Song files	Delete	pages 58, 59
Copying Song files	Copy *	pages 58, 60
Moving Song files	Move *	pages 58, 60
Converting a MIDI Song to an Audio Song during playback	MIDI to Audio *	pages 58, 61
Renaming Song files	Rename	pages 58, 61
(Table end)

File menu items indicated by “*” can be used only when a MIDI Song is selected.


Song Types and File Operation Limitations
Song types are indicated as the category name and icon in the Song display. The following chart shows the Song type and restrictions on File operations. 
(Figure)
Category name
Icon *
Song name

* The icon appears only when you select a Song in the “User” or “USB” category.

(Table)
Data Location		Song Type	Delete	Rename	Copy	Move	MIDI to Audio
	Category						
Instrument	Demo	Demo (Voice Demo)	No	No	No	No	No
	50 Classical	50 classical Preset Songs	No	No	No	No	No
	Lesson	Lesson Preset Songs	No	No	No	No	No
	User	Your own recorded Songs (MIDI)	Yes	Yes	Yes	Yes	Yes
USB flash drive	USB	MIDI Songs 	Yes	Yes	Yes	Yes	Yes
		Audio Songs 	Yes	Yes	No	No	No
(Table end)


Range of the Copy/Move operation
As for a MIDI Song in the “User” category in the instrument, you can Copy/Move it only to the USER FILES folder on a USB flash drive. Selecting a MIDI Song from “User” for copying/moving automatically specifies the USER FILES folder as the destination.
As for a MIDI Song in a USB flash drive, you can Copy/Move it to the “User” category in the instrument.
(Figure)
USB flash drive
Root
USER FILES folder
Can be copied/moved.
Can be copied/moved.
Instrument
User

USER FILES folder
If the USB flash drive device plugged into the instrument contains no USER FILES folder, one will be created automatically when you format or record a Song to that device.
The recorded Song will then be saved in that folder.

NOTE
• Please note that the copy features are intended for your personal use only.
• Folders cannot be copied.

Root:
The highest level of a hierarchical structure. This indicates an area which does not belong to a folder.


Basic Song File Operation
Song files can be handled via the instructions shown below.
(Figure)
[Menu] button
[Exit] button

1	If necessary, connect a USB flash drive to the [USB TO DEVICE] terminal.

2	Select a Song for handling.
For information on selecting a Song, see page 37.

3	Enter the File mode.

3-1	Press the [Menu] button repeatedly to call up the “Song” menu display. Use the [Cursor up]/[Cursor down] buttons to select “File” then press the [Cursor right] button.
(Figure)
“Song” menu display

3-2	Select the desired operation from “Delete,” “Copy,” “Move,” “MIDI to Audio” or “Rename.”
(Figure)
For example: Renaming files

From here, if you wish to close the File mode, press the [Exit] button once or twice.

4	Execute the selected operation.
For specific instructions, refer to the corresponding section.
• Delete	page 59
• Copy	page 60
• Move	page 60
• MIDI to Audio	page 61
• Rename	page 61

During operation, messages (information, confirmation, etc.) may be shown on the display. For explanations and details, refer to “Message List” on page 98.

NOTICE
Do not disconnect the USB flash drive during file handling or when a USB flash drive is mounted. Doing so may delete all data in the USB flash drive and the instrument.

5	Press the [Exit] button to exit from the File mode.


Deleting Song Files — Delete
For details about Song types which can be deleted, refer to page 57.

NOTE
You cannot delete multiple Songs at the same time.

See page 58 for information on basic operations. The following is a detailed procedure of step 4 on that page.

4-1	While “Delete” is highlighted, press the [Cursor right] button to call up the setting display. 
(Figure)

4-2	Highlight “Execute” by pressing [Cursor down] button, and then press the [Cursor right] button.
After the Song is deleted, the display returns to the Song List display.

NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.


Copying Song Files — Copy
For details about Song types and ranges that can be copied, refer to page 57.

See page 58 for information on basic operations. The following is a detailed procedure of step 4 on that page.

Copy destination:
“USB” will be shown when the copy destination is the USB flash drive or “User” when the instrument is the copy destination. A file copied to the USB flash drive is stored to the USER FILES folder on it.

NOTE
A message appears when a Song with the same name already exists in the copy destination. Select “Overwrite” when you want to overwrite the selected Song, or “Cancel” to cancel by using the [Cursor up]/[Cursor down] buttons, and then press the [Cursor right] button.

NOTICE
• Overwrite operations erase any existing data of the copy destination file and overwrite  with data of the copy source file.
• Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.

4-1	While “Copy” is highlighted, press the [Cursor right] button to call up the setting display. 
(Figure)
Copy destination
File name

4-2	Highlight “Execute” by pressing [Cursor down] button, then press the [Cursor right] button.
The selected Song will be copied to the destination with the same name as the copy source file.


Moving Song Files — Move
For details about Song types and ranges that can be moved, refer to page 57.

See page 58 for information on basic operations. The following is a detailed procedure of step 4 on that page.

Move destination
“USB” will be shown when the move destination is the USB flash drive or “User” when the instrument is the move destination. A file moved to the USB flash drive is stored to the USER FILES folder on it.

NOTE
A message appears when a Song with same name already exists in the move destination. Select “Overwrite” when you want to overwrite the selected Song, or “Cancel” to cancel by using the [Cursor up]/[Cursor down] buttons, then press the [Cursor right] button.

NOTICE
• Overwrite operations erase any existing data of the move destination file and overwrite with data of the move source file.
• Do not turn off the power or eject the USB flash drive while “Executing” is shown in the  display.

4-1	While “Move” is highlighted, press the [Cursor right] button to call up the setting display. 
(Figure)
Move destination
File name

4-2	Highlight “Execute” by pressing the [Cursor down] button, then press the [Cursor right] button.
The selected Song will be moved to the destination and the display returns to the Song list display.


Converting a MIDI Song to an Audio Song During Playback — MIDI to Audio
A MIDI Song in the “User” memory of the instrument or on a USB flash drive can be converted to an Audio Song then saved to the USER FILES folder on a USB flash drive. For information about which Song types can be converted, refer to page 57.

See page 58 for information on basic operations. The following is a detailed procedure of step 4 on that page.

NOTE
After conversion, the MIDI Song remains in the original data location.

NOTICE
Do not turn off the power or disconnect the USB flash drive during the conversion.
Otherwise the data will be lost.

NOTE
• A message appears when a Song with same name already exists in the copy destination. Select “Overwrite” when you want to overwrite the selected Song by using the [Cursor up]/[Cursor down] buttons, then press the [Cursor right] button.
• To cancel this operation, press the [Exit] button during the conversion. When the operation is canceled, the converted Audio Song will not be saved.

4-1	While “MIDI to Audio” is highlighted, press the [Cursor right] button to call up the setting display.
(Figure)

4-2	Highlight “Execute” by pressing the [Cursor down] button, then press the [Cursor right] button.
This operation starts playback and conversion from MIDI to Audio.
This is basically the same as that of Audio Song Recording, which allows you to record your keyboard performance and other audio input sounds (via Bluetooth, [AUX IN] etc.) from the external device (page 46). After you convert the Song, a message “Convert completed” will be shown and the display returns to Song List display.


Renaming Song Files — Rename
For details about Song types which can be renamed, refer to page 57.

See page 58 for information on basic operations. The following is a detailed procedure of step 4 on that page.

4-1	While “Rename” is highlighted, press the [Cursor right] to call up the setting display. 
(Figure)
Cursor

4-2	Assign a name to the Song.
Use the [Cursor left]/[Cursor right] buttons to move the cursor highlight (underline).
Use the [Cursor up]/[Cursor down] buttons to change the character at the current cursor position. Pressing the [REC] button will delete the character at the current cursor position.
A Song name can contain up to 46 characters. Characters which extend beyond the display capacity and are not visible can be viewed by moving the highlight by using the [Cursor left]/[Cursor right] buttons.

NOTE
For information about the character types available for the Song name, refer to “Language” on page 89.

NOTICE
Do not turn off the power or eject the USB flash drive while “Executing” is shown in the display.

4-3	Press the [Menu] button to actually rename the file.
After the Song is renamed, the display returns to the Song List display where the renamed Song can be selected.


Connecting to Other Devices

Connectors
You can connect other devices to this instrument’s connectors. For information about location of these connectors, refer to “Panel Controls and Terminals” on page 12. You can also connect this instrument to a smart device such as a smartphone via Bluetooth (page 67).

NOTE
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 67.

(Figure)
Terminal panel (at the bottom left of the keyboard)
Headphone jacks (page 17)
Terminal panel (at the bottom right of the keyboard)

CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, damage to the components, electrical shock, or even permanent hearing loss may occur.

1	[USB TO DEVICE] terminal
You can connect a USB flash drive to this terminal, or use a USB wireless LAN adaptor UD-WL01 (sold separately) to connect with a smart device such as a smartphone. For details, refer to “Connecting to a Computer” (page 65) or “Using the Smart Device App “Smart Pianist”” (page 70). Before using the [USB TO DEVICE] terminal, be sure to read “Precautions when using the [USB TO DEVICE] terminal” on page 64.

NOTE
There are two different types of USB terminals on the instrument: [USB TO DEVICE] and USB [TO HOST]. Take care not to confuse the two terminals and the corresponding cable connectors. Be careful to connect the proper plug in the proper direction.

2	USB [TO HOST] terminal
This terminal allows connection to a computer or a smart device, such as smartphone or tablet. For details, refer to “Connecting to a Computer” (page 65) or “Connecting to a Smart Device” (page 67).

3	MIDI [IN] [OUT] terminals
These terminals are used to connect external MIDI devices, such as a synthesizer or a sequencer. For details, refer to “Connecting External MIDI Devices (MIDI Terminals)” on page 65.

4	[AUX IN] jack
This jack is used to connect an audio player, such as a smartphone or portable audio player. For details, refer to “Connecting to an Audio Player ([AUX IN] jack)” on page 63.

5	AUX OUT [L/L+R] [R] jacks
These jacks are used to connect to external powered speaker systems (page 63).


Connecting to an Audio Player ([AUX IN] jack)
You can connect the headphone jack of an audio player, such as a smartphone or portable audio player, to the instrument’s [AUX IN] jack. Audio playback on the connected device is output from the built-in speakers of this instrument.

NOTE
• The instrument’s [MASTER VOLUME] setting affects the input signal from the [AUX IN] jack.
• Use audio cables and adaptor plugs having no (zero) resistance.

(Figure)
Portable audio player
Headphone jack
Phone plug (stereo mini)
Audio cable
Audio signal
Instrument
[AUX IN]
Phone plug (stereo mini)

NOTICE
To avoid damage to the devices, first turn on the power to the external device, and then to the instrument. When turning off the power, first turn off the power to the instrument, and then to the external device.


Using an External Speaker System for Playback (AUX OUT [L/L+R]/[R] jacks)
These jacks let you connect the instrument to external powered speaker systems, for playing in larger venues at higher volumes.
(Figure)
NU1XA
AUX OUT [L/L+R]/[R]
Phone plug (standard)
Audio cable
Audio signal
Powered speaker
AUX IN
Phone plug (standard)

NOTE
• Use only the [L/L+R] jack for connection with a monaural device.
• Use audio cables and adaptor plugs having no (zero) resistance.
• When you are monitoring the sound output via the AUX OUT jacks from headphones connected to the instrument, we recommend that you set the Binaural Sampling and Stereophonic Optimizer functions to off. For details, refer to page 18.

NOTICE
• To avoid possible damage, first turn on the power to the instrument, then to the external device. When turning off the power, first turn off the power to the external device, then to the instrument. Since this instrument’s power may automatically be turned off due to the Auto Power Off function (page 16), turn off the power to the external device, or disable Auto Power Off when you do not intend to operate the instrument.
• Do not route the output from the AUX OUT jacks to the [AUX IN] jack. If you make this connection, the signal input at the [AUX IN] jack is output from the AUX OUT jacks. These connections could result in a feedback loop that will make normal performance impossible, and may even damage the equipment.

The output volume from the AUX OUT jacks can be adjusted by the [MASTER VOLUME] control on the instrument. If you want to mute the speaker of the instrument while the external speakers are connected to the AUX OUT jacks, set the “Speaker” parameter to off via the “System” menu: “Utility” > “Speaker” (page 88).


Connecting USB Devices ([USB TO DEVICE] Terminal)
You can connect a USB flash drive or a USB wireless LAN adaptor UD-WL01 (sold separately) to the [USB TO DEVICE] terminal. You can save data you’ve recorded on the instrument to the USB flash drive (pages 46, 57), or you can connect the instrument to a smart device such as a smartphone via wireless LAN (page 71).

Precautions when using the [USB TO DEVICE] terminal
This instrument features a built-in [USB TO DEVICE] terminal. When connecting a USB device to the terminal, be sure to handle the USB device with care.
Follow the important precautions below.

NOTE
For more information about the handling of USB devices, refer to the owner’s manual of the USB device.

Compatible USB devices
• USB flash drive
• USB wireless LAN adaptor UD-WL01 (sold separately; may not be available in some areas)

Other USB devices such as a computer keyboard or mouse cannot be used.
The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase.
Before purchasing a USB device for use with this instrument, please visit the following web page:
https://download.yamaha.com/

Although USB devices 2.0 to 3.0 can be used on this instrument, the amount of time for saving to or loading from the USB device may differ depending on the type of data or the status of the instrument.
USB 1.1 devices cannot be used on this instrument.

NOTICE
The rating of the [USB TO DEVICE] terminal is a maximum of 5 V/500 mA. Do not connect USB devices having a rating above this, since this can cause damage to the instrument itself.

Connecting a USB device 
(Figure)
When connecting a USB device to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction.

NOTICE
• Avoid connecting or disconnecting the USB device during playback/recording and file management operations (such as Save, Copy, Delete and Format), or when accessing the USB device. Failure to observe this may result in “freezing” of the operation of the instrument or corruption of the USB device and the data.
• When connecting then disconnecting the USB device (and vice versa), make sure to wait a few seconds between the two operations.
• Do not use extension or adaptor cables to connect USB devices.

Using USB Flash Drives
By connecting the instrument to a USB flash drive, you can save data you’ve created to the connected device, as well as read data from the connected USB flash drive.

Number of USB flash drives that can be used
Only one USB flash drive can be connected to the [USB TO DEVICE] terminal. 

Formatting a USB flash drive
You should format the USB flash drive only with this instrument (page 88). A USB flash drive formatted on another device may not operate properly.

NOTICE
The format operation overwrites any previously existing data. Make sure that the USB flash drive you are formatting does not contain important data.

To protect your data (write-protect)
To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash drive. If you are saving data to the USB flash drive, make sure to disable write-protect.

Turning off the instrument
When turning off the instrument, make sure that the instrument is NOT accessing the USB flash drive by playback/recording or file management (such as during Save, Copy, Delete and Format operations).
Failure to do so may corrupt the USB flash drive and the data.


Connecting External MIDI Devices (MIDI Terminals)
The sophisticated MIDI functions give you powerful tools to expand your music performance and creation possibilities. Use the MIDI terminals and standard MIDI cables to connect external MIDI devices (keyboard, sequencer, etc.)

MIDI [IN]: Receives MIDI messages from another MIDI device.
MIDI [OUT]: Transmits MIDI messages generated on this instrument to another MIDI device.

(Figure)
NU1XA
External MIDI device
MIDI OUT, MIDI IN
MIDI transmit
MIDI OUT, MIDI IN
MIDI receive

NOTE
• For details about MIDI, refer to “MIDI Basics” downloadable from the Yamaha website (page 9).
• Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the MIDI Data Format to find out what MIDI data and commands your devices can transmit or receive. The MIDI Data Format is contained in the “MIDI Reference” downloadable from the Yamaha website (page 9).
•  When transmitting MIDI data from this instrument to an external MIDI device, unexpected sounds may occur because of data related to the Grand Expression Modeling.

CAUTION
Before connecting the instrument to other MIDI devices, turn off the power of all the components.


Connecting to a Computer
By connecting a computer to the USB [TO HOST] terminal via a USB cable, you can transfer MIDI data or Audio data between the instrument and the computer. For details on using a computer with this instrument, refer to the “Computer-related Operations” on the website (page 9).
(Figure)
NU1XA
USB [TO HOST]
USB cable
Computer
USB terminal

NOTE
• When using a USB cable to connect the instrument to your computer, make the connection directly without passing through a USB hub.
• For information on setting up your sequence software, refer to the owner’s manual of the relevant software.
• The instrument will begin transmission a short time after the computer or smart device is connected.
• Unexpected sounds may occur if you edit MIDI data related to the Grand Expression Modeling on a computer.

NOTICE
• Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
• If you are using a DAW (digital audio workstation) application with this instrument, set the Audio Loopback function to off (see below). Otherwise, a loud sound may occur, depending on the settings of the computer or the application software.


Transmitting/Receiving Audio Data (USB Audio Interface function)
By connecting a computer or a smart device to the USB [TO HOST] terminal via a USB cable, digital audio data can be transmitted/received. This USB Audio Interface function provides the following advantages:

NOTE
• When transmitting or receiving audio signals by using a computer running Windows, the Yamaha Steinberg USB Driver should be installed to the computer. For details, refer to the “Computer-related Operations” on the website.
• The volume of the audio sound input can be adjusted from a computer or smart device.

Playing back audio data with high sound quality
This gives you direct, clear sound in which the sound quality has less noise and deterioration than that from the [AUX IN] jack.

Recording performance on the instrument as audio data by using a recording software or a music production software
The recorded audio data can be played back on the computer or smart device.

For instructions on connecting to a computer, refer to “Computer-related Operations” on the website (page 9). To connect a smart device by using the smart device app “Smart Pianist,” refer to page 70.


Audio Loopback On/Off
This allows you to set whether audio sound input from the connected computer or smart device is output to a computer or a smart device or not along with the performance played on the instrument. To output the audio input sound, set the Audio Loopback to “On.”
For example, if you want to record the audio input sound as well as the sound played on the instrument by using the computer or the smart device, set this to “On.” If you intend to record only the sound played on the instrument by using the computer or the smart device, set this to “Off.” For details on the settings, refer to “Audio Loopback” on page 88.

NOTE
• The Audio Loopback function also affects the audio input sound when using the Bluetooth Audio function (page 68) or the wireless LAN connection (page 71).
• The playback sound of an Audio Song (page 36) is also output to a computer or smart device when this is set to “On,” while the sound is not output when this is set to “Off.”
• With Audio Recording (page 52), the audio input sound from the connected computer or smart device is recorded when this is set to “On,” while the sound is not recorded when this is set to “Off.”


Connecting to a Smart Device
Connecting a smart device such as a smartphone or tablet allows you to enjoy the features shown below. You can listen to audio playback from a smart device on your instrument’s speakers, or use a compatible smart device app to make playing this instrument easier and more fun. The method of connection varies depending on your intended use.

NOTICE
Do not place your smart device in an unstable position. Doing so may cause the device to fall and result in damage.

Transmitting/receiving audio data (USB Audio Interface function)
Connect the device to this instrument’s USB [TO HOST] terminal via a USB cable. For details, refer to page 66.

Listening to audio played back on a smart device through the speakers of this instrument (Bluetooth* Audio function)
Connect the device to this instrument via Bluetooth. For details, refer to page 68.

Using the Smart Device App “Smart Pianist”
Connect the device to this instrument via Bluetooth* or other methods. For details, refer to page 70.


About Bluetooth

Bluetooth capability
NU1XA is equipped with Bluetooth functionality; however, even these models may not support Bluetooth, depending on the country in which you purchased the product. If the Bluetooth logo is shown or printed on the control panel, this means that the product is equipped with Bluetooth functionality. 
(Figure)
Bluetooth logo

Bluetooth is a technology for wireless communication between devices within an area of about 10 meters (33 ft.) employing the 2.4 GHz frequency band.

Handling Bluetooth communications
• The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by many types of equipment. While Bluetooth compatible devices use a technology minimizing the influence of other components using the same radio band, such influence may reduce the speed or distance of communications and in some cases interrupt communications.
• The speed of signal transfer and the distance at which communication is possible differs according to the distance between the communicating devices, the presence of obstacles, radio wave conditions and the type of equipment.
• Yamaha does not guarantee all wireless connections between this unit and devices compatible with Bluetooth function.


Listening to Audio Data from a Smart Device through this Instrument (Bluetooth Audio Function)
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 67.

You can input the sound of the audio data saved in a Bluetooth-equipped device, such as a smart phone or digital audio player, to this instrument and listen to it through the built-in speaker of the instrument.
To use this function, make sure that Bluetooth is set to “On” (page 69) on the instrument (default setting: On). 
(Figure)
[Menu] button
[Exit] button
[Bluetooth] button

NOTE
• In this manual, a smart device is used as an example of a Bluetooth-equipped device which allows Bluetooth transmission of contained audio data to the instrument, via wireless  communication. For proper operation, the device must be compatible with A2DP (Advanced Audio Distribution Profile). The Bluetooth Audio function is explained here by using a smart device as an example of such Bluetooth-equipped devices.
• Refer to page 70 for transmitting/receiving the MIDI data between the instrument and the smart device via Bluetooth.
• Bluetooth headphones or speakers cannot be paired.

Pairing
“Pairing” means to register Bluetooth-equipped smart devices on this instrument, and establish the mutual recognition for wireless communication between the two.

NOTE
• Only one smart device can be connected to this instrument at a time (although up to 8 smart devices can be paired to this instrument). When pairing with the 9th smart device has succeeded, pairing data for the device with the oldest connection date will be deleted.
• Make sure to complete the settings on the smart device within 5 minutes.
• If you are required to enter a passkey, enter the numerals “0000.”

NOTE
You can adjust the volume of the sound input via Bluetooth by the [MASTER VOLUME] control. To adjust the volume balance between your keyboard performance and the input sound via Bluetooth, adjust the volume on the smart device.

1	Hold down the [Bluetooth] button for 3 seconds.
The pop-up window will appear which indicates that the instrument is standing by for pairing.
(Figure)

To cancel the pairing, press the [Exit] button

2	On the smart device, set the Bluetooth function to on and select “NU1XA AUDIO” from the connection list.
For details, refer to the smart device owner’s manual.
After pairing is completed, the connection status will be shown in the display.
(Figure)
Can receive audio data

3	Play back audio data on the smart device to confirm that the built-in speakers of the instrument can output the audio sound.
When you turn on the instrument the next time, the last-connected smart device will be connected to this instrument automatically, if the Bluetooth function of the smart device and the instrument is set to on. If it is not connected automatically, select the model name of the instrument from the connection list on the smart device.


Switching the Bluetooth Function On/Off
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 67.

By default, the Bluetooth function will be on right after turning the instrument’s power on, however you can set the function to off.

1	Press the [Menu] button repeatedly to call up the “System” menu display, then select the highlighted item in each display as illustrated below.
(Figure)
“System” menu display
1-1.	Confirm that “Bluetooth” is selected.
1-2.	Press the [Cursor right] button to call up the next display.
“Bluetooth” display
1-3.	Confirm that “Bluetooth” is selected.

2	Press the [Cursor right] button to switch on/off.
To exit from the “System” menu display, press the [Exit] button.


Using the Smart Device App “Smart Pianist”
By connecting a smart device such as a smartphone or tablet and using the Smart Pianist app, you can view the score of the preset Songs on the smart device, record your performance to the smart device, and perform other convenient operations. The intuitive visual interface helps you to confirm the current settings of the instrument.
For details on the app and compatible devices, access the website below and visit the “Smart Pianist” page. 

(QR code)
https://www.yamaha.com/2/apps/

NOTE
When using the “Smart Pianist” app, you cannot use any buttons on the instrument other than the [Exit] button. Control the instrument by using “Smart Pianist.” 
Pressing the [Exit] button on the instrument disconnects the instrument from the “Smart Pianist” app, and enables you to control the instrument by using its buttons.

NOTICE
Activating the “Smart Pianist” app while the instrument is connected to the smart device overwrites the settings on the instrument by that of “Smart Pianist.” Save your important setup data as a backup file to a USB flash drive (page 92).

You can connect your smart device to this instrument via Bluetooth, USB cables or Wi-Fi.
The “Connection Wizard” of Smart Pianist guides you in properly connecting the smart device to the instrument properly. After installing the Smart Pianist app on your smart device, tap [Menu] located at the upper left on the Smart Pianist screen to open the menu, and then tap “Instrument” followed by “Start Connection Wizard.”
For details on the connection methods as well as how to use the app, refer to the “Smart Pianist User Guide” on the following website.

(QR code)
https://manual.yamaha.com/mi/app/smartpianist/

This section explains the operations particular to this instrument. For the necessary settings on this instrument, follow the instructions below.


Connecting via Bluetooth
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 67. Information on the availability of Bluetooth functionality is included or not can also be found on that page.

Two different types of Bluetooth connection are available: “Bluetooth MIDI” and “Bluetooth Audio.”
You need to connect by Bluetooth MIDI to link and use Smart Pianist with the instrument. Bluetooth MIDI connection allows you to transmit and receive MIDI data between the instrument and the smart device. When connecting, select “NU1XA MIDI” on Smart Pianist as the device for connection.
If you connect by Bluetooth Audio as well, the audio data in the smart device can be played through Smart Pianist. Note that you cannot record your keyboard performance as audio format on Smart Pianist. For instructions on setting the Bluetooth Audio function, refer to page 68.
When the Bluetooth connection is made successfully, the connection status is shown on the Voice display.
(Figure)
Voice display
Can transmit and receive MIDI data
Can transmit and receive MIDI data, and receive audio data

NOTE
If the Bluetooth function of this instrument is set to Off (default setting: On), the Bluetooth connection cannot be made. For information on the setting, refer to page 69.


Connecting via USB cables
Connect the smart device to the USB [TO HOST] terminal via USB cables. With this method, audio data as well as MIDI data can be transmitted or received between the instrument and the smart device. This allows you to play the audio data in the smart device through Smart Pianist, and also allows you to record your keyboard performance as audio format on Smart Pianist.


Connecting via Wi-Fi (by using the USB wireless LAN adaptor*)
*The USB wireless LAN adaptor UD-WL01 (sold separately) may not be available depending on your area.

Connect the smart device via Wi-Fi by connecting the USB wireless LAN adaptor UD-WL01 (sold separately) to the [USB TO DEVICE] terminal. With this method, audio data as well as MIDI data can be transmitted or received between the instrument and the smart device. This allows you to play the audio data in the smart device through Smart Pianist, and also allows you to record your keyboard performance as audio format on Smart Pianist.
Make either of the settings below, and then follow the “Connection Wizard” on Smart Pianist.

Connecting by the Infrastructure mode
The Infrastructure mode uses an access point for data communication between a USB wireless LAN adaptor and a network. You can use this mode when you connect to another network while a smart device is connected to the instrument.
• Displaying the Wireless LAN networks and connecting to a network (page 72)
• Automatic Setup by WPS (page 73)
• Manual Setup (page 73)

Connecting by the Accesspoint mode (page 74)
The Accesspoint mode allows you to directly connect the USB wireless LAN adaptor and a smart device, without the need for using an access point. You can use this mode when no access point is available for connection to the instrument, or when it is unnecessary to connect to another network while a smart device is connected to the instrument.
When connected by this mode, Internet access is disabled on your smart device, and some functions of Smart Pianist cannot be used.

NOTICE
Do not connect this product to public Wi-Fi and/or Internet directly. Only connect this product to the Internet through a router with strong password protections. Consult your router manufacturer for information on security best practices.


Displaying the Wireless LAN networks and connecting to a network
Make sure to connect the USB wireless LAN adaptor (sold separately) to the [USB TO DEVICE] terminal, otherwise the displays for setup below will not be shown.
(Figure)
[Menu] button

NOTE
If the menus shown in the Wireless LAN display, are different from those shown here, the instrument is in the Accesspoint mode. Set the Wireless LAN Mode parameter to “Infrastructure Mode” by following the step 1 on page 74.

1	Press the [Menu] button repeatedly to call up the “System” menu display, and then select the highlighted item in each display as illustrated below. 
(Figure)
“System” menu display
1-1.	Use the [Cursor up]/[Cursor down] buttons to select “Utility.”
1-2.	Press the [Cursor right] button to call up the next display.
“Utility” display
1-3.	Use the [Cursor up]/[Cursor down] buttons to select “Wireless LAN.”
1-4.	Press the [Cursor right] button to call up the next display.
“Wireless LAN” display
1-5.	Use the [Cursor up]/[Cursor down] buttons to select “Select Network.”

2	Press the [Cursor right] button to call up the network list.
For a network with a lock icon, you need to enter the proper password.
(Figure)

NOTE
If no signal from the access point is received, the access point cannot be listed. Also, closed access points cannot be listed.

3	Connect the instrument to the Network.

3-1	Select the desired network, then press the [Cursor right] button.
The name of the selected network will be fully shown in the display, letting you confirm this is the network you want to use.

3-2	Press the [Cursor right] button.

For a network without a lock icon:
Connecting starts.

For a network with a lock icon:
You need to enter the proper password. For details on how to enter characters, refer to the “Renaming Song Files — Rename” on page 61. After entering the password, press the [Menu] button to finalize the setting. This operation starts connecting automatically.

When connection is done successfully, “Completed” is shown in the display, and returns to the “Select Network” display.

4	Connect the smart device to the access point.
Open the Wi-Fi settings on your smart device, and select the network containing “NU1XA” in the name field. If a password is requested, input it to connect.


Automatic Setup by WPS
Please make sure to connect the USB wireless LAN adaptor (sold separately) to the [USB TO DEVICE] terminal, otherwise the displays for setup will not be shown.

If your access point supports WPS, you can easily connect the instrument to access point by WPS, without making settings, such as password input, etc.
Press the WPS button on the USB wireless LAN adaptor more than 3 seconds, and press the WPS button on your access point within two minutes.
When connection is done successfully, “Completed” is shown in the display, and the Voice display will be shown.

Finally, connect the smart device to the access point (step 4 above).

NOTE
WPS setup is not available while the instrument is in the following modes or conditions:
• While a Song or a Demo Song is playing back or being paused temporarily, or while the instrument is in the Song Recording mode.
• When Wireless LAN mode is set to “Accesspoint Mode” in the “System” menu.


Manual Setup
Make sure to connect the USB wireless LAN adaptor (sold separately) to the [USB TO DEVICE] terminal, otherwise the displays for setup will not be shown.

1	To call up the network list, perform steps 1 – 2 in the “Displaying the Wireless LAN Networks and connecting to a Network” (page 72).
(Figure)

2	Select “Other” at the bottom of the network list, then press the [Cursor right] button.

3	Set the SSID, Security and Password to the same as the settings on the access point.
(Figure)

3-1	Select the “SSID” then press the [Cursor right] button to call up the display for SSID input, then enter the SSID.
For details on how to enter the characters, refer to “Renaming Song Files — Rename” on page 61. After entering the SSID, press the [Menu] button to finalize the setting. Operation returns to the “Other” display.

3-2	Select “Security” then press the [Cursor right] button to call up the Security list. Select the security then return to the “Other” display by pressing the [Cursor left] button.

3-3	Select “Password,” then set the password in the same way as SSID.

NOTE
The password cannot be set when you select “none” for the security setting.

4	Select “Connect >” at the bottom of the display shown in step 3, then press the [Cursor right] button to start connecting.
When connection is done successfully, “Completed” is shown in the display, and returns to the “Select Network” display.

5	Connect the smart device to the access point.
This operation is the same as step 4 on page 73.


Connecting by the Accesspoint Mode
(Figure)
[Menu] button

1	Switch the instrument to the “Accesspoint Mode.”
Press the [Menu] button repeatedly to call up the “System” menu display, then select the highlighted item in each display as illustrated below.
(Figure)
“System” menu display
1-1.	Use the [Cursor up]/[Cursor down] buttons to select “Utility.”
1-2.	Press the [Cursor right] button to call up the next display.
“Utility” display
1-3.	Use the [Cursor up]/[Cursor down] buttons to select “Wireless LAN Option.”
1-4.	Press the [Cursor right] button to call up the next display.
“Wireless LAN Option” display
1-5.	Use the [Cursor up]/[Cursor down] buttons to select “Wireless LAN Mode.”
1-6.	Press the [Cursor right] button to call up the next display.
“Wireless LAN Mode” display
1-7.	Use the [Cursor up]/[Cursor down] buttons to select “Accesspoint Mode.”

When mode change is done successfully, “Completed” is shown in the display, operation returns to the “Wireless LAN Mode” display.

2	Set SSID, Security, Password and Channel.

2-1	From the “System” menu display, select the highlighted item in each display as illustrated below.
(Figure)
“System” menu display
“Utility” display
“Wireless LAN” display

2-2	Set the SSID, Security, Password and Channel.
Select and enter each value/setting in the same way as in step 3 in “Manual Setup.” For the setting range for each item, refer to “Wireless LAN” (In the Accesspoint mode) on page 91.

3	Save the setting.
Select “Save >” at the bottom of the Wireless LAN display, then press the [Cursor right] button to start saving.
When saving is done successfully, “Completed” is shown in the display, and operation returns to the “Utility” display.

4	Connect the smart device to the instrument (as an access point).
This operation is the same as step 4 on page 73.


Detailed Settings (Menu Display)
Pressing the [Menu] button opens one of the five menu displays (Voice, Song, Metronome, Recording and System). You can make settings for various functions from these menu displays.


Common Operations in the Menu Displays

1	As necessary, select the desired Voice or Song for editing.
For example, if you want to set Song playback parameters, such as Repeat, select the Song. If you want to set Voice related parameters, such as Chorus, select the Voice to add the effect.
(Figure)
[Menu] button
[Exit] button

2	Press the [Menu] button several times to select the desired menu.
Pressing the [Menu] button repeatedly will call up the following menu displays in order, according to the vertical menu at the left of the display. 
Voice menu (page 77) 
Song menu (page 81)
Metronome menu (page 84)
Recording menu (page 84)
System menu (page 85)

(Figure)
Menu icon
Menu name

3	Use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select the desired parameter. 
While referring as needed to the parameter list on each page listed in step 2, use the [Cursor up]/[Cursor down] buttons to navigate through the display vertically and use the [Cursor left]/[Cursor right] buttons to navigate through display horizontally.
(Figure)

4	In the display called up in step 3, use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select a value or execute the operation.
Most displays allow you to select a value by simply using the [Cursor up]/[Cursor down] buttons, although some, such as Edit in the “Song” menu and Backup in the “System” menu, let you execute an operation.
If a pop-up window is shown, set the value with the [Cursor left]/[Cursor right] buttons, then exit from the window using the [Exit] button.
Also, when the selected parameter provides only two options (on and off, for example), simply pressing the [Cursor right] button will alternate the value between the two options.
(Figure)

5	To exit from the menu display, press the [Exit] button.


Voice Menu
This menu lets you edit or set various parameters related to keyboard performance, such as Voice parameters. By turning on Duo, you can make the settings for each Voice or each Voice combination. While playing the keyboard and hearing the sound, change a parameter value to find your desired sound. Note that you should turn on Duo before calling up the “Voice” menu.

NOTE
Parameters with * are shown only when Duo (page 32) is on. 

(Table)
To call up the desired parameter:
Turn on Duo as necessary, select Voices as necessary, press the [Menu] button several times to select “Voice” menu, then use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select the desired parameter.							
[Cursor right][Cursor left]	[Cursor right][Cursor left]		[Cursor right][Cursor left]		Description	Default setting	Setting range
Transpose	(Pop-up window)		–		Shifts the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set this parameter to “5,” playing key C produces pitch F. In this way, you can play the F major song as if it were in C major.
NOTE
• The setting here will not affect Song playback. If you want to transpose Song playback, use the “Transpose” parameter in the “Song” menu (page 81).
• Your keyboard performance data will be transmitted with the transposed note numbers while MIDI note numbers received from an external MIDI device or computer will not be affected by the Transpose setting. 	0	−12 (−1 octave) – 0 (normal pitch) – +12 (+1 octave)
Piano Setting	Lid Position		(Setting display)		Refer to the description of “Lid Position” on page 24.		
	VRM		–		Refer to the description of “VRM” on page 24. Demo cannot be played in “Voice” menu.
NOTE
VRM is effective only for Voices in the Piano group.		
		Damper Res. (Resonance)	(Setting display)				
		Damper Noise	–				
		String Res. (Resonance)	(Setting display)				
		Duplex Scale Res. (Resonance)	(Setting display)				
		Body Res. (Resonance)	(Setting display)				
	Grand Exp. (Expression)		–		Refer to the description of “Grand Expression” on page 25. Demo cannot be played in “Voice” menu.
NOTE
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”		
Reverb	(Setting display)		–		Determines the Reverb type which is applied to all the entire sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device. 	Differs depending on the Voice or Voice combination.	Refer to the Reverb Type List (page 29).
Chorus	(Setting display)		–		Determines the Chorus type which is applied to all the entire sound including the keyboard performance, Song playback and MIDI data input from an external MIDI device. 	Differs depending on the Voice or Voice combination.	Refer to the Chorus Type List (page 80).
Voice Edit	(Voice names)*
* Shown when Duo is on (Upper: Right section Voice; Lower: Left section Voice)		Octave		Shifts the pitch of the keyboard up and down in octave steps. 	Differs depending on the Voice or Voice combination.	−2 (two octaves lower) – 0 (no pitch shift) – +2 (two octaves higher)
			Volume		Adjusts the volume for the selected Voice.	Differs depending on the Voice or Voice combination.	0 – 127
			Reverb Depth		Adjusts the Reverb depth for the selected Voice. The “0” setting will produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously, unexpected sounds may result since the Reverb depth for a part which has priority will become the common setting for the parts. During Song playback, setting for a Song part is used (priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a keyboard part is used when Song playback is stopped (priority order: Right section, Left section in Duo).	Differs depending on the Voice or Voice combination.	0 – 40
			Chorus Depth		Adjusts the Chorus depth for the selected Voice. The “0” setting will produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously, unexpected sounds may result since the Chorus depth for a part which has priority will become the common setting for the parts. During Song playback, setting for a Song part is used (priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a keyboard part is used when Song playback is stopped (priority order: Right section, Left section in Duo).	Differs depending on the Voice or Voice combination.	0 – 127
			Effect		In addition Reverb and Chorus, another Effect can be applied to the selected Voice. This lets you select the Effect type.	Differs depending on the Voice or Voice combination.	Refer to the Effect Type List (page 80).
			Rotary Speed		Available only for the Voice of which the Effect Type is set to “Rotary.” This parameter determines the rotation speed of the Rotary Speaker effect. 	Differs depending on the Voice or Voice combination.	Fast, Slow
			VibeRotor		Available only for the Voice of which the Effect Type is set to “VibeRotor.” This parameter turns on or off the VibeRotor effect. 	Differs depending on the Voice or Voice combination.	On, Off
				VibeRotor Speed	Available only for the Voice of which the Effect Type is set to “VibeRotor.” This parameter determines the speed of the Vibraphone vibrato effect. 	Differs depending on the Voice or Voice combination.	1 – 10
			Effect Depth		Adjusts the Effect depth for the selected Effect above. Note that some Effect types do not allow you to adjust the depth.	Differs depending on the Voice or Voice combination.	1 – 127
			Pan		Adjusts the stereo pan position for the selected Voice.	Differs depending on the Voice or Voice combination.	L64 (leftmost) – C (center) – R63 (rightmost)
Voice Edit	(Voice names)*

* Shown when Duo is on (Upper: Right section Voice; Lower: Left section Voice)		Harmonic Cont		Produces a distinctive “peaky” tone by raising the Resonance value of the Filter. 
NOTE
Harmonic content may have little audible effect or not be applied to some Voices.	Differs depending on the Voice or Voice combination.	−64 – +63
			Brightness		Adjusts the brightness of the selected Voice.	Differs depending on the Voice or Voice combination.	−64 – +63
			Touch Sens.		Determines the degree to which the volume level changes in response to your touch on the keyboard (how hard you play). Since the volume level of some Voices such as Harpsichord and Organ do not change regardless of how you play the keyboard, the default setting for these Voices is 127. 	Differs depending on the Voice or Voice combination.	0 (softest) – 64 (largest changes in the level) – 127 (which produces the loudest volume regardless of how you play the keyboard)
			RPedal		Turns the Right pedal function on or off for the selected Voice. This parameter is useful when you want to ensure, for example, that the pedal function affects the Right section but does not affect the Left section while playing in Duo.	Differs depending on the Voice or Voice combination.	On, Off
			CPedal		Turns the Center pedal function on or off for the selected Voice. This parameter is useful when you want to ensure, for example, that the pedal function affects the Right section but does not affect the Left section while playing in Duo.	Differs depending on the Voice or Voice combination.	On, Off
			LPedal		Turns the Left pedal function on or off for the selected Voice. This parameter is useful when you want to ensure, for example, that the pedal function affects the Right section but does not affect the Left section while playing in Duo.	Differs depending on the Voice or Voice combination.	On, Off
Pedal Assign	Right		(Setting display)		Assigns one of various functions (other than the original one) to the Right pedal. 	SustainCont	Refer to the Pedal Function List (page 80).
	Center		(Setting display)		Assigns one of various functions (other than the original one) to the Center pedal. 	Sostenuto	Refer to the Pedal Function List (page 80).
	Left		(Setting display)		Assigns one of various functions (other than the original one) to the Left pedal. 	Rotary Speed (Jazz Organ), Vibe Rotor (Vibraphone), Soft (other Voices)	Refer to the Pedal Function List (page 80).
Balance*	Volume L – R		(Pop-up window)		Adjusts the volume balance between the Right and Left sections when using the Duo function (page 32). After adjusting via the [Cursor left]/[Cursor right] buttons, press the [Exit] button to exit from the pop-up window.	Differs depending on the Voice or Voice combination.	L+10 – 0 – R+10
(Table end)

Chorus Type List 
(Table)
Off	No effect
Chorus	Adds a rich, spacious sound.
Celeste	Adds swell and a spacious sound.
Flanger	Adds swell effects similar to the sound of an ascending or descending jet plane.
(Table end)

Effect Type List 
(Table)
Off	No effect
DelayLCR	Delay applied at left, center, and right positions.
DelayLR	Delay applied at left and right positions.
Echo	Echo-like delay
CrossDelay	Left and right delays cross each other in alternation.
Symphonic	Adds a rich and deep acoustic effect.
Rotary	Adds the vibrato effect of a rotary speaker.
Tremolo	The volume level changes in rapid cycles.
VibeRotor	The vibrato effect of a vibraphone.
AutoPan	The sound pans left to right and back and forth.
Phaser	The phase changes periodically, swelling the sound.
AutoWah	The center frequency of the wah filter changes periodically.
Distortion	Distorts the sound.
(Table end)

Pedal Function List 
(Table)
Function	Description	Available pedal (O: Can be assigned, ×: Cannot)		
		Left pedal	Center pedal	Right pedal 
Sustain (Switch)	On/off switch type damper	O	O	O
Sustain Continuously	Damper that sustains the sound proportionately to how deeply you press the pedal (page 19)	×	×	O
Sostenuto	Sostenuto (page 19)	O	O	O
Soft	Soft (page 19)	O	O	O
PitchBend Up*	A function that smoothly raises the pitch	×	×	O
PitchBend Down*	A function that smoothly lowers the pitch	×	×	O
Rotary Speed	Changes the rotational speed of the Jazz Organ rotary speaker (switches between fast and slow each time you press the pedal)	O	O	O
VibeRotor	Switches the vibraphone vibrato on/off (switches on/off each time you press the pedal)	O	O	O
(Table end)


Song Menu
This menu lets you set various parameters related to Song playback and edit the Song data. Select a desired Song before beginning the operation.

NOTE
• The parameters marked with * will be available only when a MIDI Song is selected. These parameters are not shown when an Audio Song is selected.
• The parameters marked with ** will be available only when an Audio Song is selected.
• When using the “Edit” menu, select a MIDI Song other than the preset Song.
• Execute is a function that edits or changes the current Song data. Note that pressing the [Cursor right] button will actually change the Song data.
• The content of the “Song” menu differs depending on the type of Song currently selected (MIDI/Audio).

(Table)
To call up the desired parameter:
Select a Song as necessary, press the [Menu] button several times to select “Song” menu, then use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select the desired parameter.					
[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	Description	Default setting	Setting range
L/R*	R, L, Extra	–	Turns on (Play) or off (Mute) each of the Song tracks. For details, refer to page 40. 	On	On, Off
Repeat	A ­ B*	(Setting display)	Lets you play back a specified range (from Point A to B) of the current Song repeatedly. For instructions, refer to page 41. 	Off	On, Off
	Phrase*	Phrase Mark	This parameter is available only when a MIDI Song containing the Phrase Mark. By specifying a Phrase number here, you can play back the current Song from the mark point, or to play back the corresponding phrase repeatedly. If you start Song playback with a Phrase set to “On,” the countdown starts, followed by repeated playback of the specified phrase or phrases until you press the [PLAY/PAUSE] button. 	000	000 – the last phrase number of the Song
		Repeat		Off	On (repeat playback)/Off (no repeat)
	Song	(Setting display)	By setting this parameter, you can play back only a specific Song, or specific Songs in order repeatedly or randomly. For details, refer to page 41.	Off	Off, Single, All, Random
Volume	Song – Keyboard*	(Pop-up window)	Adjusts the volume balance between the Song playback sound and keyboard performance.	0	Key+64 – 0 – Song+64
	Song L – R*	(Pop-up window)	Adjusts the volume balance between the right-hand part left-hand parts of Song playback.	0	L+64 – 0 – R+64
	(Pop-up window)**		Adjusts the Audio volume.	100	0 – 127
Transpose	(Setting display)	–	Shifts the pitch of Song playback up or down in semitone intervals. For example, if you set this parameter to “5,” a Song created in C major will be played back in F major.
NOTE
• The Transpose setting will not affect the audio input sound (via Bluetooth, [AUX IN], etc.) from the external device (page 46).
• MIDI Song playback data will be transmitted with the transposed note numbers while MIDI note numbers received from an external MIDI device or computer will not be affected by the Transpose setting. 
• Applying transpose to an Audio Song may change its tonal characteristics.	0	−12 (−1 octave) – 0 (normal pitch) – +12 (+1 octave)
File	Delete	Cancel	Deletes a specific Song. For details about Song types which can be deleted, refer to page 57.	–	–
		Execute		–	–
	Copy*	Cancel	Copies a specific MIDI Song then saves it to a different location. For details about Song types which can be copied, refer to page 57.	–	–
		Execute		–	–
File	Move*	Cancel	Moves a MIDI Song to a different location. For details about Song types which can be moved, refer to page 57.	–	–
		Execute		–	–
	MIDI to Audio*	Cancel	Converts a MIDI Song to an Audio file. For details about Song types which can be converted, refer to page 57.	–	–
		Execute		–	–
	Rename	(Setting display)	Edits a Song name. For details about Song types which can be renamed, refer to page 57.	–	–
Edit*	Quantize	Quantize	The Quantize function allows you to align all the notes in the current MIDI Song to the correct timing, such as 8th note or 16th note.
1. Set the Quantize value to the smallest notes in the MIDI Song.
2. Set the Strength value which determines how strongly the notes will be quantized.
3. Move the highlight to “Execute” then press the [Cursor right] button to actually change the MIDI Song data. 	1/16	Refer to “Quantize setting range.” (page 83)
		Strength		100%	0% – 100%
Refer to “Strength setting range.” (page 83)
		Execute		–	–
	Track Delete	Track	Deletes a specific track data of the current MIDI Song.
1. Select the desired track to be deleted.
2. Move the highlight to “Execute,” then press the [Cursor right] button to actually delete the specified track data.	Track 1	Track 1 – Track 16
		Execute		–	–
	Tempo Change	Cancel	Changes the tempo value of the current MIDI Song as data. Before calling up the “Song” menu display, set the desired Tempo value for changing.
Move the highlight to “Execute,” then press the [Cursor right] button to actually change the Tempo value as MIDI Song data. 	Differs depending on the Song	–
		Execute		–	–
	Voice Change	Track	Changes the Voice of a specific track in the current MIDI Song to the current Voice as data.
1. Select a track of which the Voice will be changed.
2. Move the highlight to “Execute,” then press the [Cursor right] button to actually change the Voice as MIDI Song data. 	Track 1	Track 1 – Track 16
		Execute		–	–
Others**	Quick Play	–	This parameter enables you to specify whether a Song that starts from the middle of a bar, or a Song with a silence prior to the first note, should be played from the first note or from the top of the bar (rest or blank). This parameter is useful for a MIDI Song that starts with a short one-or two-beat pick-up or lead-in.	On	On, Off
	Track Listen	Track	This lets you play back only the selected Track to listen to its contents. To do this, select a Track, move the highlight to “Start,” then press and hold the [Cursor right] button to start playback from the first note. Playback continues while holding the [Cursor right] button. 	Track 1	Track 1 – Track 16
		Start			
	Play Track	–	This parameter enables you to specify the tracks for playing back on this instrument. When “1&2” is selected, only tracks 1 and 2 will be played back, while tracks 3 to 16 will be transmitted via MIDI. When “All” is selected, all tracks will be played back on this instrument.	All	All, 1&2
(Table end)

NOTE
Tempo of Song playback can be set on the display called up by pressing the [TEMPO] button. For instructions, refer to page 39.

Quantize Supplementary

Quantize setting range 
(Figure)
1/4	quarter note
1/6	quarter note triplet
1/8	eighth note
1/12	eighth note triplet
1/16	sixteenth note
1/24	sixteenth note triplet
1/32	thirty-second note
1/8+1/12	eighth note + eighth note triplet*
1/16+1/12	sixteenth note + eighth note triplet*
1/16+1/24	sixteenth note + sixteenth triplet*

The three Quantize settings marked with asterisks (*) are exceptionally convenient, since they allow you to quantize two different note values at the same time. For example, when the straight eighth notes and eighth notes triplet are contained in the same part, if you quantize by straight eighth notes, all notes in the part are quantized to straight eighth notes—completely eliminating any triplet feel. However, if you use the eighth note + eighth note triplet setting, both the straight and triplet notes will be quantized correctly.

Strength setting range 
(Figure)
Quarter-note length
Original data 
Quantizing strength = 100 
Quantizing strength = 50


Metronome Menu
This menu lets you set the volume and tempo indication format of the Metronome (page 34). Regarding “Time Signature” and “Bell,” these are also described on page 35.

(Table)
To call up the desired parameter:
Press the [Menu] button several times to select “Metronome” menu, then use the [Cursor up]/[Cursor down] buttons to select the desired parameter.					
[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	Description	Default setting	Setting range
Time Sig.
(Time Signature)	(Setting display)	–	Determines the time signature of the metronome. When you select or playback MIDI Songs, this will automatically be changed to the time signature of the selected songs.	4/4	2/2, 3/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8
Volume	(Pop-up window)	–	Determines the volume of the Metronome or Rhythm. You can adjust the volume balance between the keyboard performance and Metronome/Rhythm playback. 	82	0 – 127
BPM	–	–	Determines whether the note type of the tempo indication is affected by the Metronome Time Signature (page 35) or not (crotchet). When “Time Sig.” is selected, the denominator of the Time Signature is shown as the note type of the tempo indication. (The dotted quarter note is shown as the note type of the tempo indication only when the Time Signature is set to “6/8,” “9/8,” or “12/8.”)	Time Sig.	Time Sig., Crotchet
Bell	–	–	Determines whether or not the bell sound is played back at the first beat of the specified Time Signature.	Off	On, Off
(Table end)


Recording Menu
This menu lets you make detailed settings related to MIDI Recording (page 46).

NOTE
The settings here will not affect Audio Recording. 

(Table)
To call up the desired parameter:
Press the [Menu] button several times to select “Recording” menu, then use the [Cursor up]/[Cursor down] buttons to select the desired parameter.					
[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	Description	Default setting	Setting range
RecStart	–	–	This parameter, which is used when you overwrite the already recorded MIDI Song, determines when the actual MIDI Recording starts after you execute the Recording Start operation. When set to “Normal,” actual recording will starts as soon as you execute the Recording Start operation. When set to “KeyOn,” actual recording starts as soon as you press any key after you execute the Recording Start operation. 	Normal	Normal, KeyOn
RecEnd	–	–	This parameter, which is used when you overwrite the already recorded MIDI Song, determines whether the existing data after the point at which you stop recording will be erased or not. 	Replace	Replace, PunchOut
(Table end)


System Menu
This menu lets you make the overall settings applied to the entire instrument.

NOTE
Parameters marked with * are available only if the instrument is equipped with Bluetooth functionality.

To call up the desired parameter:
Press the [Menu] button several times to select “System” menu, then use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select the desired parameter.
[Cursor right][Cursor left]	[Cursor right][Cursor left]		[Cursor right][Cursor left]	Description	Default setting	Setting range
Bluetooth*	Bluetooth		–	Switches the Bluetooth function on/off (page 69).	On	On, Off
	Pairing		–	For registering (pairing) the Bluetooth equipped-device (page 68). This parameter is shown only when “Bluetooth” (above) is set to “On.”	–	–
Tuning	Master Tune		(Pop-up window)	Fine tunes the pitch of the entire instrument. This function is useful when you play this instrument along with other instruments or CD music.
NOTE
These settings will not be applied to the Audio Song. Also, these settings will not be recorded to a MIDI Song.	440.0 Hz (=A3)	414.8 Hz – 466.8 Hz (approx. 0.2 Hz steps)
	Scale Tune		(Setting display)	Modern acoustic pianos are tuned almost exclusively in equal temperament, which divides one octave into twelve equal intervals. Likewise, this digital piano employs equal temperament, but it can be changed at the touch of a button to play in historical temperaments used in the 16th to 19th centuries.	Equal	Refer to the “Scale Tune List” (page 89)
	Base Note		(Setting display)	Determines the base note for the Scale selected above. When the base note is changed, the pitch of the keyboard is transposed, yet maintains the original pitch relationship between the notes. This setting is necessary when Scale Tune is set to something other than “Equal Temperament.”
NOTE
When Scale Tune is set to “Equal Temperament,” “---” is shown on the display and this parameter cannot be edited.	C	C, C sharp, D, E flat, E, F, F sharp, G, A flat, A, B flat, B
Keyboard	Touch		(Setting display)	Determines how the sound responds to your playing strength. This setting does not change the weight of the keyboard. 
• Soft2: Produces relatively high volume even with light playing strength. Best for players with a light touch.
• Soft1: Produces high volume with moderate playing strength.
• Medium: Standard Touch Sensitivity.
• Hard1: Requires moderately strong playing for high volume.
• Hard2: Requires strong playing to produce high volume. Best for players with a heavy touch.
• Fixed: No touch response. The volume level will be the same regardless of how hard you play the keys. 
NOTE
The setting here will not be recorded to a MIDI Song and not be transmitted as MIDI messages. 	Medium	Soft 2, Soft 1, Medium, Hard 1, Hard 2, Fixed
	Fixed Velocity		(Pop-up window)	Determines the velocity with which you play the keys when Touch (above) is set to “Fixed.” 
NOTE
The setting here will not be recorded to a MIDI Song and not be transmitted as MIDI messages.	64	1 – 127
	Duo		(Setting display)	Splits the keyboard into two ranges, allowing you to play duets over the same octave range (page 32).	Off	On, Off
Keyboard	Duo - Type		–	Selects the sound balance between the left and right speakers while Duo is on.
• Separated: The sound of the Left section is output from the left speaker(s), and the sound of the Right section is output from the right speaker(s).
• Balanced: The sounds played on the Right and Left sections are output through both speakers, with a natural balance of sound.	Separated	Separated, Balanced
	Split Point		(Setting display)	Determines the Split Point (the boundary between the Right section and Left section).	E3	A−1 – C7
Pedal	Half Pedal Point		(Pop-up window)	Here you can specify the point to which you must depress the right pedal before the assigned effect begins to be applied. This setting applies only to the “Sustain Continuously” effect (page 80) that is assigned to the right pedal.	0	−2 (effective with the shallowest press) – 0 – +4 (effective with the deepest press)
	Soft Pedal Depth		(Pop-up window)	Determines how deeply the Soft pedal effect is applied. This parameter is available only for the pedal to which “Soft” (page 80) is assigned. 	5	1 – 10
	Pitch Bend Range		(Pop-up window)	Determines the range of the pitch bend that is produced via the pedal in semitone steps. This setting is available only for the pedal to which “Pitch Bend Up” or “Pitch Bend Down” (page 80) is assigned.
NOTE
For some Voices, the pitch may not be changed according to the Pitch Bend Range value set here.	2	0 – +12 (pressing the pedal will raise/lower the pitch by 12 semitones [1 octave])
	Play/Pause		(Setting display)	Assigns the [PLAY/PAUSE] button’s function to the Left pedal or the Center pedal. If a value other than “Off” is selected here, the corresponding pedal's function assigned in the “Voice” menu (page 79) is disabled.	Off 	Off, Left, Center
Sound	Brilliance		(Setting display)	Adjusts the overall brilliance of sound for this instrument. You can also select “User” to make your own custom EQ settings. For details, refer to page 30.	Normal	Mellow 1 – 3, Normal, Bright 1 – 3, User
	IAC		–	Turns the IAC effect on or off. For details about IAC, refer to page 17. 	On	On, Off
	IAC depth		(Pop-up window)	Determines the depth of the IAC. The higher the value, the more clearly the low/high sounds at lower volume levels. 	0	−3 – +3
	Binaural		–	Turns the Binaural Sampling function (when headphones are connected) on or off. When the function is on and headphones are connected, the sound from this instrument changes to the sound of Binaural Sampling or the sound enhanced with the Stereophonic Optimizer, allowing you to enjoy more realistic sound (page 18).
NOTE
When the “Speaker” setting (page 88) is on, this function will always be disabled even when headphones are connected.	On	On, Off
MIDI	MIDI OUT		(Setting display)	Determines the MIDI channel on which the MIDI messages generated via the keyboard performance will be transmitted from the MIDI [OUT] or USB [TO HOST] terminal. When Duo is on, the MIDI channels are assigned as follows.
• Performance on the Right section = n (setting value)
• Performance on the Left section = n+1	Ch1	Ch1 – Ch16, Off (not transmitted)
	MIDI IN		(Setting display)	Determines which part of the instrument will be controlled by each channel data of the MIDI messages coming from the MIDI [IN] and USB [TO HOST] terminal. 
• Song: Song part is controlled by the MIDI messages. 
• Keyboard: The entire keyboard is controlled regardless of the Duo setting.
• R: When Duo is off, the entire keyboard is controlled. When Duo is on, the keyboard performance on the Right section is controlled.
• L: When Duo is on, the keyboard performance on the Left section is controlled.
• Off: No part is controlled.	“Song” for each of all MIDI channels	For each MIDI channel:
• Song
• Keyboard
• R
• L
• Off 
	Local Control		–	“Local Control On” is a state in which this instrument produces the sound from its tone generator when you play the keyboard. In “Local Control Off” state, the keyboard and the tone generator are cut off from each other. This means that even if you play the keyboard, this instrument will produce no sound. Instead, the keyboard data can be transmitted via MIDI to a connected MIDI device or computer, which can produce the sound. The “Local Control Off” setting is useful when you wish to play only an external sound source while playing the keys on this instrument.	On	On, Off
	Receive Param.		(Setting display)	Determines which types of MIDI messages can be received or recognized by this instrument. 
MIDI message types:
Note on/off, Control Change, Program Change, Pitch Bend, System Exclusive	On (for all the MIDI messages)	On, Off (for each MIDI message) 
	Transmit Param.		(Setting display)	Determines which types of MIDI messages can be transmitted from this instrument. 
MIDI message types:
Note on/off, Control Change, Program Change, Pitch Bend, SystemRealTime, System Exclusive	On (for all the messages)	On, Off (for each message) 
	Initial Setup		Cancel	Transmits the current panel settings such as Voice selection to a connected MIDI device or computer. Before you start recording your performance to a connected MIDI device or computer, execute this operation to record the current panel settings at the beginning of your performance data. It causes that the same panel settings are called up when the recorded performance is played back. 
Operation:
Move the highlight to “Execute,” then press the [Cursor right] button to transmit the panel settings as MIDI messages.	–	–
			Execute			
Backup	Backup Setting		–	For instructions about these functions, refer to pages 92–93.	–	–
	Backup		–			
	Restore		–			
	Factory Reset		–			
Utility	USB Format		Cancel	This lets you format or initialize the USB flash drive connected to the [USB TO DEVICE] terminal.
NOTICE
Executing the Format operation will delete all data saved in the USB flash drive. Save important data to a computer or another storage device.
NOTE
When connecting the USB flash drive to the [USB TO DEVICE] terminal, a message prompting you to execute the Format operation may appear. If such a case occurs, execute the Format operation.
Operation
Move the highlight to “Execute,” then press the [Cursor right] button to start the Format operation. After Formatting is completed, a message appears then the instrument returns to the Utility display after a while.
NOTICE
Never turn off the power or disconnect the USB flash drive while “Executing” is shown in the display.	–	–
			Execute		–	–
	USB Properties		–	Shows the amount of free space and entire memory in the USB flash drive connected to the [USB TO DEVICE] terminal. 
(Figure) 
Amount of entire memory
Amount of free space 	–	–
	USB Autoload		–	When this is set to “On,” the Song saved in the root directory can be selected (shown on the display) automatically as soon as the USB flash drive is connected to the [USB TO DEVICE] terminal. 	Off	On, Off
	Speaker		(Setting display)	Lets you switch the speaker on/off.
• Normal: The speaker will sound only if headphones are not connected.
• On: The speaker will always sound.
• Off: The speaker will not sound.
NOTE
When this setting is on, “Binaural” (page 86) will always be disabled.	Normal 	Normal, On, Off
	Contrast		(Pop-up window)	Adjusts the contrast of the display.	0	−5 – +5
	Auto Power Off		(Setting display)	Lets you set the amount of time that elapses before the power is turned off by Auto Power Off function (page 16). To disable Auto Power Off, select “Off.”
Disabling Auto Power Off 
(Figure) 
The lowest key (A−1)
Turn the power on while holding down the lowest key on the keyboard. A message appears briefly and Auto Power Off is disabled.	15 (minutes)	Off, 5, 10, 15, 30, 60, 120 (minutes)
	Audio Loopback		–	Determines whether audio input from the connected computer or smart device is output to a computer or a smart device or not (page 66).	On	On, Off
Utility	Version		–	Displays the model name and the firmware version of this instrument.	–	–
	Auto Backlight Off		(Setting display)	Lets you set the time that elapses until the control panel and the display turn off, or lets you set them to remain on indefinitely (the “Off” setting).	10 (seconds)	Off, 10, 20, 30, 60 (seconds)
	Touch Panel Sound		–	Determines whether a sound is made when the control panel is operated (the “on” setting), or whether no sound is heard (the “off” setting).	On	On, Off
	Language		System	Determines the type of characters shown on the display for the System (general indication other than Song name) and Song (Song name) individually.
Character list:
	International	Japanese, International
			Song			
	Wireless LAN			These parameters are shown only when the USB wireless LAN adaptor UD-WL01 (sold separately) is connected to the [USB TO DEVICE] terminal on this instrument. For details, refer to page 90.		
	Wireless LAN Option					
(Table end)

Scale Tune List (Temperament List)
(Table)
Equal (Equal Temperament)	One octave is divided into twelve equal intervals. Currently most popular piano tuning scale.
PureMajor/PureMinor	Based on natural overtones, three major chords using these scales produce a beautiful, pure sound.
Pythag. (Pythagorean)	This scale was devised by Pythagoras, the famous Greek philosopher and is created from a series of perfect fifths, which are collapsed into a single octave. The 3rd in this tuning is slightly unstable, but the 4th and 5th are beautiful and suitable for some leads.
MeanTone	This scale was created as an improvement on the Pythagorean scale, by making the major third interval more “in tune.” It was especially popular from the 16th century to the 18th century. Handel, among others, used this scale.
Werck. (Werckmeister)/Kirnberger	These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the Songs. They were often used in the era of Bach and Beethoven. They are also often used now to reproduce the music of that era on harpsichords.
(Table end)

Wireless LAN Settings
The following parameters are shown only when the USB wireless LAN adaptor UD-WL01 (sold separately) is connected to the [USB TO DEVICE] terminal on this instrument. For details on setting procedures, refer to page 71.
* “Wireless LAN” parameters differ depending on the “Wireless LAN Mode” setting (“Infrastructure” or “Accesspoint”). By default, it is set to “Infrastructure.”

(Table)
To call up the desired parameter:
Press the [Menu] button several times to select “System” menu, then use the [Cursor up]/[Cursor down]/[Cursor left]/[Cursor right] buttons to select the desired parameter.							
[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	[Cursor right][Cursor left]	Description	Default setting	Setting range
Utility	Wireless LAN* (In the “Infrastructure” mode)	Select Network	(Networks)		Connect to an access point by selecting the network.	–	–
			Other	SSID	Set the SSID.	–	Up to 32 characters (half size), alphanumeric characters, marks
				Security	Set the Security.	NONE	NONE, WEP, WPA2-PSK (AES), WPA/WPA2 mixed PSK
				Password	Set the Password.	–	Up to 64 characters (half size), alphanumeric characters, marks
				Connect	Connect using the settings in “Other” display.	–	–
		Detail	DHCP		Set the wireless LAN detailed settings. IP Address, Subnet Mask, Gateway, DNS Server1, DNS Server2 can be set when DHCP is set to Off while cannot be set when DHCP set to On. Use the [Cursor left]/[Cursor right] buttons to select each octet in the entry display, then enter the value using the [Cursor up]/[Cursor down] buttons. To finalize the setting, press the [Menu] button.	On	On/Off
			IP Address			0.0.0.0	0.0.0.0-255.255.255.255
			Subnet Mask			0.0.0.0	0.0.0.0-255.255.255.255
			Gateway			0.0.0.0	0.0.0.0-255.255.255.255
			DNS Server1			0.0.0.0	0.0.0.0-255.255.255.255
			DNS Server2			0.0.0.0	0.0.0.0-255.255.255.255
			Save		Save the settings in the “Detail” display. Move the highlight to “Save,” then press the [Cursor right] button to execute the Saving.	–	–
	Wireless LAN* (In the “Accesspoint” mode)	SSID			Set the SSID as an access point.	ap-[NU1XA]-[xxxxxx (MAC address lower 6 figure)]	Up to 32 characters (half size), alphanumeric characters, marks
		Security			Set the Security as an access point.	NONE	NONE, WEP, WPA2-PSK (AES), WPA/WPA2 mixed PSK
		Password			Set the Password as an access point.	–	Up to 64 characters (half size), alphanumeric characters, marks
Utility	Wireless LAN* (In the “Accesspoint” mode)	Channel			Set the channel as an access point.	11	Differs depending on the USB wireless LAN adaptor models.
• Models for United States and Canada: 1 – 11
• Others: 1 – 13
When no USB wireless LAN adaptor is connected, setting range is channels 1 – 13.
		DHCP Server			Set the IP address related settings.	On	On, Off
		IP Address				192.168.0.1	192. 168. 0-255. 1-254.
		Subnet Mask				255.255.255.0	255.255.0.0, 255.255.128.0, 255.255.192.0, 255.255.224.0, 255.255.240.0, 255.255.248.0, 255.255.252.0, 255.255.254.0, 255.255.255.0
		Save			Save the settings you set in the Wireless LAN display (in the “Accesspoint” mode)	–	–
	Wireless LAN Option	Wireless LAN Mode	Infrastructure Mode		Determines whether the access point is used for wireless LAN connection (Infrastructure Mode) or not (Accesspoint Mode). 	Infrastructure Mode	–
			Accesspoint Mode				
		Initialize	Cancel 		Initialize the settings in the wireless LAN display. Move the highlight to “Execute,” then press the [Cursor right] button to execute the initialization.	Cancel 	–
			Execute				
		Detail	Host Name		Set the Host name.	[NU1XA]-[xxxxxx (MAC address lower 6 figure)]	Up to 57 characters (half size) including alphanumeric characters, the “_” (underscore) and “-” (hyphen) character.
			Mac Address		Display the MAC address of the USB wireless LAN adaptor.	–	–
			Status		Display the error code of network function. 	–	–
(Table end)


Backup Setting (Selecting parameters maintained even when the power is turned off)
This lets you set whether some settings of the Backup Setting (below) are maintained or not when the power is turned off. The Backup Setting consists of two groups, “Voice” (including Voice related settings such as Voice selection) and “Other” (including various settings such as Song Repeat and Tuning), which can be set individually.

Data and settings maintained even when the power is turned off
• User MIDI Song (saved in this instrument’s “User” memory)
• System menu (page 85)
Bluetooth On/Off *
Keyboard (Duo Type only)
Utility
• Backup Setting (explained here)

* For information on whether Bluetooth functionality is included with the instrument or not, refer to page 67.

1	Press the [Menu] button several times to select the “System” menu (page 76).

2	Use the [Cursor up]/[Cursor down] buttons to select “Backup,” use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Backup Setting.”

3	Use the [Cursor right] then the [Cursor up]/[Cursor down] buttons to select “Voice,” then use the [Cursor right] button to select “On” or “Off.”
The “Voice” selection here contains the following settings:
• Voice selection 
• All the parameters other than Transpose in the “Voice” menu

4	Use the [Cursor up]/[Cursor down] buttons to select “Other,” then use the [Cursor right] button to select “On” or “Off.”
The “Other” selection here contains the following settings:
• Split point
• In the “Song” menu: Song Repeat, Volume (Song-Keyboard), Audio Volume, Quick Play, Play Track
• In the “Metronome” menu: Volume, BPM, Bell On/Off
• In the “System” menu: Tuning, Keyboard (except “Duo” and “Duo Type”), Pedal, Sound, MIDI

5	Press the [Exit] button to exit from the “System” menu. 


Backup (Saving the Backup file for internal data)
This lets you save data on internal memory to the connected USB flash drive as a backup file (named “NU1XA.bup”). This backup file can be loaded to the instrument via the Restore function (page 93) for future.

NOTICE
• It may take 1 – 2 minutes to complete this operation. Never turn off the power during this operation (while “Executing” is shown). 
• If the same backup file (NU1XA.bup) is already saved in the USB flash drive, this operation will overwrite or replace this file with new one.

1	Connect the USB flash drive to the [USB TO DEVICE] terminal.

2	Press the [Menu] button several times to select the “System” menu (page 76).

3	Use the [Cursor up]/[Cursor down] buttons to select “Backup,” use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Backup.”

4	Use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Execute.”

5	Press the [Cursor right] button to execute the Backup operation.

6	Press the [Exit] button to exit from the “System” menu.

NOTE
When you want to restore the settings in the backup file, execute the Restore function (page 93).


Restore (Restarting the instrument with the Backup file loaded)
This lets you load the backup file (NU1XA.bup) saved via the Backup function (page 92) to the instrument on.

NOTICE
• It may take 1 – 2 minutes to complete this operation. Never turn off the power during this operation (while “Executing” is shown). Doing so could result in damage to the data.
• If recorded Songs reside on “User” memory, make sure to move the Songs to the USB flash drive by following the instructions page 60 before executing this operation. If you do not, the Songs will be deleted via this operation.

1	Connect the USB flash drive containing the Backup file to the [USB TO DEVICE] terminal.

2	Press the [Menu] button several times to select the “System” menu (page 76).

3	Use the [Cursor up]/[Cursor down] buttons to select “Backup,” use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Restore.”

4	Use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Execute.”

5	Press the [Cursor right] button to execute the Restore operation.

A message indicating that the operation is completed appears, then the instrument will restart after a while.


Factory Reset (Restarting the instrument with the initial factory settings loaded)
This lets you reset this instrument to its factory default settings which refers to the initial setting preprogrammed when shipped from the factory, and is called up when you first turn on the power to this instrument.

Note that the following points.
• This operation resets the Backup Setting (page 92) to the default setting.
• This operation will not delete the Songs saved in the User folder.
• This operation will not delete the Bluetooth* pairing information (page 68).
* For information on whether Bluetooth functionality is included with the instrument or not, refer to page 67.

NOTICE
Never turn off the power during this operation (while “Factory reset executing” is shown). Doing so could result in damage to the data.

1	Press the [Menu] button several times to select the “System” menu (page 76).

2	Use the [Cursor up]/[Cursor down] buttons to select “Backup,” use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Factory Reset.”

3	Use the [Cursor right] button to call up the next display, then use the [Cursor up]/[Cursor down] buttons to select “Execute.”

4	Press the [Cursor right] button to execute the Restore operation.

A message indicating that the operation is completed appears, then the instrument will restart after a while.

Alternate method for restoring the default settings
Press and hold down the white key on the right end (C7) and press the [Standby/On] switch to turn on the power to this instrument. This operation will not delete any Songs in the User folder or the Bluetooth pairing information.
(Figure)
C7
[Standby/On] switch


Appendix

Voice List
Refer to the separate excel file "12_voice_list.xlsx".

Song List
Refer to the separate excel file "13_song_list.xlsx".

Message List
Refer to the separate excel file "14_message_list.xlsx".

Troubleshooting
Refer to the separate excel file "15_troubleshooting.xlsx".

Specifications
Refer to the separate excel file "16_specifications.xlsx".


For models equipped with Bluetooth / Pour les modèles équipés de la fonctionnalité Bluetooth

For U.S.A.
This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.
(554-M01 FCC transmitter 01) 

This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to comply without testing of specific absorption rate (SAR).
(554-M04 FCC portable 01)   


For CANADA
This equipment complies with ISED radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the ISED radio frequency (RF) Exposure rules as this equipment has very low levels of RF energy.
(0555-M05_ised_portable_en_01)

Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’ISDE puisque cet appareil a une niveau tres bas d'energie RF.
(0555-M05_ised_portable_fr_01)

This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:
1.	This device may not cause interference.
2.	This device must accept any interference, including interference that may cause undesired operation of the device.
(555-M13 ISED RSS en 01)

L’émetteur/récepteur exempt de licence contenu dans le présent appareil est conforme aux CNR d’Innovation, Sciences et Développement économique Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes :
1.	L’appareil ne doit pas produire de brouillage ;
2.	L’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.
(555-M13 ISED RSS fr 01)


For Mexico
La operación de este equipo está sujeta a las siguientes dos condiciones: (1) es posible que este equipo o dispositivo no cause interferencia perjudicial y (2) este equipo o dispositivo debe aceptar cualquier interferencia, incluyendo la que pueda causar su operación no deseada.
(556-M02 MX operating condition 01)


For European Union and United Kingdom

EN	SIMPLIFIED EU DECLARATION OF CONFORMITY / SIMPLIFIED UK DECLARATION OF CONFORMITY
Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [NU1XA] is in compliance with Directive 2014/53/EU and the radio equipment regulations of UK. The full texts of the EU declaration of conformity and the UK declaration of conformity are available at the following internet address:
https://europe.yamaha.com/en/support/compliance/doc.html	
FR	DECLARATION UE DE CONFORMITE SIMPLIFIEE
Le soussigné, Yamaha Music Europe GmbH, déclare que l'équipement radioélectrique du type [NU1XA] est conforme à la directive 2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse internet suivante :
https://europe.yamaha.com/en/support/compliance/doc.html	
DE	VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG
Hiermit erklärt Yamaha Music Europe GmbH, dass der Funkanlagentyp [NU1XA] der Richtlinie 2014/53/EU entspricht. Der vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse verfügbar:
https://europe.yamaha.com/en/support/compliance/doc.html	
SV	FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE
Härmed försäkrar Yamaha Music Europe GmbH att denna typ av radioutrustning [NU1XA] överensstämmer med direktiv 2014/53/EU. Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande webbadress:
https://europe.yamaha.com/en/support/compliance/doc.html	
IT	DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA
Il fabbricante, Yamaha Music Europe GmbH, dichiara che il tipo di apparecchiatura radio [NU1XA] è conforme alla direttiva 2014/53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indirizzo Internet:
https://europe.yamaha.com/en/support/compliance/doc.html	
ES	DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA
Por la presente, Yamaha Music Europe GmbH declara que el tipo de equipo radioeléctrico [NU1XA] es conforme con la Directiva 2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la dirección Internet siguiente:
https://europe.yamaha.com/en/support/compliance/doc.html	
PT	DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA
O(a) abaixo assinado(a) Yamaha Music Europe GmbH declara que o presente tipo de equipamento de rádio [NU1XA] está em conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade está disponível no seguinte endereço de Internet:
https://europe.yamaha.com/en/support/compliance/doc.html	
NL	VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING
Hierbij verklaar ik, Yamaha Music Europe GmbH, dat het type radioapparatuur [NU1XA] conform is met Richtlijn 2014/53/EU. De volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het volgende internetadres:
https://europe.yamaha.com/en/support/compliance/doc.html	
BG	ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ
С настоящото Yamaha Music Europe GmbH декларира, че този тип радиосъоръжение [NU1XA] е в съответствие с Директива 2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се намери на следния интернет адрес:
https://europe.yamaha.com/en/support/compliance/doc.html	
CS	ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ
Tímto Yamaha Music Europe GmbH prohlašuje, že typ rádiového zařízení [NU1XA] je v souladu se směrnicí 2014/53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:
https://europe.yamaha.com/en/support/compliance/doc.html	
DA	FORENKLET EU-OVERENSSTEMMELSESERKLÆRING
Hermed erklærer Yamaha Music Europe GmbH, at radioudstyrstypen [NU1XA] er i overensstemmelse med direktiv 2014/53/EU. EU-overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse:
https://europe.yamaha.com/en/support/compliance/doc.html	
ET	LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON
Käesolevaga deklareerib Yamaha Music Europe GmbH, et käesolev raadioseadme tüüp [NU1XA] vastab direktiivi 2014/53/EL nõuetele. ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaadressil:
https://europe.yamaha.com/en/support/compliance/doc.html	
EL	ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ
Με την παρούσα ο/η Yamaha Music Europe GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [NU1XA] πληροί την οδηγία 2014/53/ΕΕ. Το πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο διαδίκτυο:
https://europe.yamaha.com/en/support/compliance/doc.html	
HR	POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI
Yamaha Music Europe GmbH ovime izjavljuje da je radijska oprema tipa [NU1XA] u skladu s Direktivom 2014/53/EU. Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljedećoj internetskoj adresi:
https://europe.yamaha.com/en/support/compliance/doc.html	
LV	VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA
Ar šo Yamaha Music Europe GmbH deklarē, ka radioiekārta [NU1XA] atbilst Direktīvai 2014/53/ES. Pilns ES atbilstības deklarācijas teksts ir pieejams šādā interneta vietnē:
https://europe.yamaha.com/en/support/compliance/doc.html	
LT	SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA
Aš, Yamaha Music Europe GmbH, patvirtinu, kad radijo įrenginių tipas [NU1XA] atitinka Direktyvą 2014/53/ES. Visas ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu:
https://europe.yamaha.com/en/support/compliance/doc.html	
HU	EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT
Yamaha Music Europe GmbH igazolja, hogy a [NU1XA] típusú rádióberendezés megfelel a 2014/53/EU irányelvnek. Az EU-megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen:
https://europe.yamaha.com/en/support/compliance/doc.html	
PL	UPROSZCZONA DEKLARACJA ZGODNOŚCI UE
Yamaha Music Europe GmbH niniejszym oświadcza, że typ urządzenia radiowego [NU1XA] jest zgodny z dyrektywą 2014/53/UE. Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem internetowym:
https://europe.yamaha.com/en/support/compliance/doc.html	
RO	DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ
Prin prezenta, Yamaha Music Europe GmbH declară că tipul de echipamente radio [NU1XA] este în conformitate cu Directiva 2014/53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea adresă internet:
https://europe.yamaha.com/en/support/compliance/doc.html	
SK	ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE
Yamaha Music Europe GmbH týmto vyhlasuje, že rádiové zariadenie typu [NU1XA] je v súlade so smernicou 2014/53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese:
https://europe.yamaha.com/en/support/compliance/doc.html	
SL	POENOSTAVLJENA IZJAVA EU O SKLADNOSTI
Yamaha Music Europe GmbH potrjuje, da je tip radijske opreme [NU1XA] skladen z Direktivo 2014/53/EU. Celotno besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:
https://europe.yamaha.com/en/support/compliance/doc.html	
FI	YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS
Yamaha Music Europe GmbH vakuuttaa, että radiolaitetyyppi [NU1XA] on direktiivin 2014/53/EU mukainen. EU-vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa internetosoitteessa:
https://europe.yamaha.com/en/support/compliance/doc.html	
TR	BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ
İşbu belge ile, Yamaha Music Europe GmbH, radyo cihaz tipinin [NU1XA], Direktif 2014/53/ AB'ye uygunluğunu beyan eder. AB uyumu beyanının tam metni aşağıdaki internet adresinden edinilebilir:
https://europe.yamaha.com/en/support/compliance/doc.html	
(559-M01 RED DoC URL 02)


Important Notice:
U.S. LIMITED WARRANTY for Customers in the United States

For detailed information about this Yamaha product and warranty service, please either visit the following website address (printable file is available at our website) or contact Customer Service at the address or telephone number identified below.

Website Address:
Yamaha.io/AvantGrandWarranty

Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620-1273
Telephone: 800-854-1569


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SPDX-License-Identifier: Apache-2.0

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See the License for the specific language governing permissions and limitations under the License.


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The Clear BSD License
Copyright 1997-2016 Freescale Semiconductor, Inc.
Copyright 2016-2018 NXP
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